[{"data":1,"prerenderedAt":211},["ShallowReactive",2],{"page-fr-\u002Fartistes\u002Fandreas-fischbach":3,"navigation-fr":30,"artist-datas-andreas-fischbach-fr":55},{"id":4,"title":5,"body":6,"description":14,"extension":18,"meta":19,"navigation":20,"ogImage":21,"path":22,"robots":21,"schemaOrg":21,"seo":23,"sitemap":24,"stem":28,"__hash__":29},"content_fr\u002Fartists\u002Fandreas-fischbach.md","Andreas Fischbach",{"type":7,"value":8,"toc":13},"minimark",[9],[10,11],"artist-page",{"artist":12},"andreas-fischbach",{"title":14,"searchDepth":15,"depth":16,"links":17},"",10,5,[],"md",{},false,null,"\u002Fartistes\u002Fandreas-fischbach",{"description":14},{"loc":22,"lastmod":25,"changefreq":26,"priority":27},"2026-09-23","monthly",0.85,"artists\u002Fandreas-fischbach","k-rzIM-r9otAHXHD9RYuJqCumwO-sz9kIBgWhNX8gAA",[31,36,41,45,50],{"title":32,"path":33,"stem":34,"order":35},"à propos","\u002Fa-propos","about",4,{"title":37,"path":38,"stem":39,"order":40},"Artistes","\u002Fartistes","artists",1,{"title":42,"path":43,"stem":44,"order":16},"Contact","\u002Fcontact","contact",{"title":46,"path":47,"stem":48,"order":49},"Expositions","\u002Fexpositions","exhibitions",2,{"title":51,"path":52,"stem":53,"order":54},"Le Salon","\u002Fle-salon","le-salon",3,{"id":56,"title":57,"affiliations":21,"artworks":60,"awards":61,"biography":64,"birthLocation":67,"birthYear":74,"description":75,"education":78,"extension":82,"firstName":83,"gender":84,"jobTitle":85,"lastName":88,"links":89,"mediums":92,"meta":102,"movements":103,"name":5,"nickName":21,"page":113,"portrait":123,"shows":124,"slug":12,"stem":194,"techniques":195,"workLocation":206,"__hash__":210},"artists\u002Fdatas\u002Fartists\u002Fandreas-fischbach.yml",{"fr":58,"en":59},"Andreas Fischbach - Peintre hyperréaliste | JAGAL","Andreas Fischbach - Hyperrealist painter | JAGAL",[],[62,63],"Otmar Alt Stipendium (2014), Hamm, Germany","Verein artbellwald Stipendium (2018), Bellwald, Switzerland",{"fr":65,"en":66},"\u003Ch3>Andreas Fischbach : l'hyperréalisme à l'ère numérique\u003C\u002Fh3>\n\u003Cp>\n  \u003Cstrong>Andreas Fischbach\u003C\u002Fstrong> est un \u003Cstrong>artiste suisse\u003C\u002Fstrong> reconnu pour son travail dans\n  le domaine de la \u003Cstrong>peinture hyperréaliste contemporaine\u003C\u002Fstrong>. Né en 1982 à Lugano, il grandit\n  dans les forêts du Tessin, puis étudie la peinture à l'\u003Cstrong>Académie des Beaux-Arts de Bologne\u003C\u002Fstrong>,\n  en Italie, avant de poursuivre son cursus aux départements de peinture et de sculpture de la\n  \u003Cstrong>Kunsthochschule Berlin-Weißensee\u003C\u002Fstrong>, en Allemagne. Il reste ensuite à Berlin jusqu'en 2019\n  et vit aujourd'hui à \u003Cstrong>Genève\u003C\u002Fstrong>.\n\u003C\u002Fp>\n\u003Ch3>Fusionner arts numériques et peinture\u003C\u002Fh3>\n\u003Cp>\n  Fischbach se distingue par sa capacité à fusionner \u003Cstrong>arts numériques\u003C\u002Fstrong> et\n  \u003Cstrong>peinture\u003C\u002Fstrong> : îles et montagnes cinématographiques baignées de lumière, portraits\n  esthétiquement parfaits, métropoles éclairées au néon, nature luxuriante et artificielle. Son travail\n  interroge la manière dont les images, classiques comme contemporaines, façonnent notre perception de la\n  réalité, en particulier la vision idéalisée de la nature à l'ère numérique, où les images artificielles\n  deviennent un filtre dominant.\n\u003C\u002Fp>\n\u003Ch3>Une narration en séries\u003C\u002Fh3>\n\u003Cp>\n  L'artiste travaille par \u003Cstrong>séries\u003C\u002Fstrong>, illustrant l'un après l'autre les chapitres d'une\n  narration plus vaste. À chaque étape, il choisit des images et des personnages issus de notre\n  \u003Cstrong>imaginaire collectif\u003C\u002Fstrong>, délibérément stéréotypés, afin de questionner nos influences\n  culturelles à l'ère de la mondialisation et de la digitalisation.\n\u003C\u002Fp>\n\u003Ch3>Des sujets figés dans l'espace et le temps\u003C\u002Fh3>\n\u003Cp>\n  Regards perdus dans le vide, objets esseulés : Fischbach représente ses sujets figés dans l'espace et le\n  temps ou plongés dans le silence, leur conférant une aura d'\u003Cstrong>inquiétude\u003C\u002Fstrong> ou de\n  \u003Cstrong>solitude\u003C\u002Fstrong>. Le protagoniste central est volontairement vidé de toute émotion pour que\n  celle-ci se ressente à l'extérieur, à travers la couleur, l'atmosphère, les contrastes et la géométrie\n  des formes.\n\u003C\u002Fp>\n\u003Ch3>Une couche politique et sociale\u003C\u002Fh3>\n\u003Cp>\n  À la première couche esthétique, le peintre ajoute une couche politique et sociale, souvent empreinte\n  d'une \u003Cstrong>esthétique dystopique\u003C\u002Fstrong>, pour interroger la société de consommation occidentale,\n  les crises écologiques et politiques et, plus globalement, son propre rôle de peintre. Pourquoi l'art\n  doit-il questionner la société ? Pourquoi un tableau doit-il porter ce genre de message ? Pourquoi ne\n  peut-il pas exister pour lui-même ?\n\u003C\u002Fp>\n\u003Ch3>Un parcours entre la Suisse, l'Allemagne et l'Italie\u003C\u002Fh3>\n\u003Cp>\n  Depuis le milieu des années 2000, son travail a été montré en Suisse, en Allemagne, en Italie, en\n  France, au Portugal et en Bulgarie. Il a notamment présenté des expositions personnelles au\n  Kunstverein Kronach et au Kunstverein Wernigerode en Allemagne, à la Otmar Alt Stiftung à Hamm et au\n  Museo Villa Pia de Porza, au Tessin. Installé à Genève, il a présenté en 2024 deux\n  expositions personnelles : \u003Cem>Douce Apocalypse\u003C\u002Fem> à Chêne-Bourg et \u003Cem>Aux Confins de\n  l'Histoire\u003C\u002Fem> à Buchillon, une réflexion sur notre avenir et les récits collectifs qui le\n  façonnent. Il a reçu la bourse de la Otmar Alt Stiftung en 2014 et celle de l'association\n  artbellwald en 2018.\n\u003C\u002Fp>\n","\u003Ch3>Andreas Fischbach: Hyperrealism in the Digital Age\u003C\u002Fh3>\n\u003Cp>\n  \u003Cstrong>Andreas Fischbach\u003C\u002Fstrong> is a \u003Cstrong>Swiss artist\u003C\u002Fstrong> recognised for his work in the\n  field of \u003Cstrong>contemporary hyperrealist painting\u003C\u002Fstrong>. Born in Lugano in 1982, he grew up in the\n  forests of Ticino, then studied painting at the \u003Cstrong>Academy of Fine Arts in Bologna\u003C\u002Fstrong>, Italy,\n  before continuing his studies in the painting and sculpture departments of the\n  \u003Cstrong>Kunsthochschule Berlin-Weißensee\u003C\u002Fstrong>, Germany. He then stayed in Berlin until 2019 and now\n  lives in \u003Cstrong>Geneva\u003C\u002Fstrong>.\n\u003C\u002Fp>\n\u003Ch3>Fusing Digital Art and Painting\u003C\u002Fh3>\n\u003Cp>\n  Fischbach stands out for his ability to fuse \u003Cstrong>digital art\u003C\u002Fstrong> and \u003Cstrong>painting\u003C\u002Fstrong>:\n  cinematic islands and mountains bathed in light, aesthetically perfect portraits, neon-lit metropolises,\n  lush and artificial nature. His work questions how images, whether classical or contemporary, shape our\n  perception of reality, in particular the idealised vision of nature in the digital age, where artificial\n  images have become a dominant filter.\n\u003C\u002Fp>\n\u003Ch3>A Narrative in Series\u003C\u002Fh3>\n\u003Cp>\n  The artist works in \u003Cstrong>series\u003C\u002Fstrong>, illustrating one after another the chapters of a wider\n  narrative. At each stage, he selects images and characters drawn from our\n  \u003Cstrong>collective imagination\u003C\u002Fstrong>, deliberately stereotyped, in order to question our cultural\n  influences in the age of globalisation and digitalisation.\n\u003C\u002Fp>\n\u003Ch3>Subjects Frozen in Space and Time\u003C\u002Fh3>\n\u003Cp>\n  Gazes lost in the void, solitary objects: Fischbach depicts his subjects frozen in space and time or\n  plunged into silence, giving them an aura of \u003Cstrong>unease\u003C\u002Fstrong> or \u003Cstrong>loneliness\u003C\u002Fstrong>. The\n  central protagonist is deliberately emptied of all emotion so that it can be felt from the outside,\n  through colour, atmosphere, contrast and the geometry of forms.\n\u003C\u002Fp>\n\u003Ch3>A Political and Social Layer\u003C\u002Fh3>\n\u003Cp>\n  On top of the first aesthetic layer, the painter adds a political and social one, often marked by a\n  \u003Cstrong>dystopian aesthetic\u003C\u002Fstrong>, to question Western consumer society, ecological and political\n  crises and, more broadly, his own role as a painter. Why must art question society? Why must a painting\n  carry this kind of message? Why can it not exist for its own sake?\n\u003C\u002Fp>\n\u003Ch3>A Career Between Switzerland, Germany and Italy\u003C\u002Fh3>\n\u003Cp>\n  Since the mid-2000s, his work has been shown in Switzerland, Germany, Italy, France, Portugal and\n  Bulgaria. He has notably held solo exhibitions at the Kunstverein Kronach and the Kunstverein\n  Wernigerode in Germany, at the Otmar Alt Stiftung in Hamm and at the Museo Villa Pia in Porza, in\n  Ticino. Now based in Geneva, he presented two solo shows around Lake Geneva in 2024: \u003Cem>Douce\n  Apocalypse\u003C\u002Fem> in Chêne-Bourg and \u003Cem>Aux Confins de l'Histoire\u003C\u002Fem> in Buchillon, a reflection on our\n  future and the collective narratives that shape it. He received a grant from the Otmar Alt Stiftung in\n  2014 and from the artbellwald association in 2018.\n\u003C\u002Fp>\n",{"city":68,"country":70},{"fr":69,"en":69},"Lugano",{"fr":71,"en":72,"code":73},"Suisse","Switzerland","CH","1982",{"fr":76,"en":77},"Andreas Fischbach, peintre hyperréaliste suisse établi à Genève, fusionne peinture et arts numériques pour questionner nos imaginaires collectifs.","Andreas Fischbach, a Swiss hyperrealist painter based in Geneva, fuses painting and digital art to question our collective imagination.",[79,80,81],"Accademia di Belle Arti di Bologna, Diploma in Painting (2009), Bologna, Italy","Kunsthochschule Berlin-Weißensee, guest student in Painting and Sculpture (2006\u002F2007), Berlin, Germany","CSIA – Centro Scolastico per le Industrie Artistiche (2003), Lugano, Switzerland","yml","Andreas","Male",{"fr":86,"en":87},"Peintre hyperréaliste contemporain","Contemporary hyperrealist painter","Fischbach",[90,91],"https:\u002F\u002Fandreasfischbach.ch","https:\u002F\u002Fwww.instagram.com\u002Ffischbach_andreas\u002F",[93,96,99],{"fr":94,"en":95},"peinture sur toile","painting on canvas",{"fr":97,"en":98},"vidéo","video",{"fr":100,"en":101},"projection numérique","digital projection",{},[104,107,110],{"fr":105,"en":106},"art contemporain","contemporary art",{"fr":108,"en":109},"hyperréalisme","hyperrealism",{"fr":111,"en":112},"art multimédia","multimedia art",{"id":4,"title":5,"body":114,"description":14,"extension":18,"meta":120,"navigation":20,"ogImage":21,"path":22,"robots":21,"schemaOrg":21,"seo":121,"sitemap":122,"stem":28,"__hash__":29},{"type":7,"value":115,"toc":118},[116],[10,117],{"artist":12},{"title":14,"searchDepth":15,"depth":16,"links":119},[],{},{"description":14},{"loc":22,"lastmod":25,"changefreq":26,"priority":27},"\u002Fmedias\u002Fartists\u002Fandreas-fischbach\u002Fandreas-fischbach-artist-portrait-jagal.jpg",[125],{"id":126,"title":127,"address":130,"artists":131,"artistsDatas":21,"artworks":21,"banner":135,"city":136,"coverImage":135,"description":137,"endDate":140,"events":21,"extension":82,"isFree":141,"keywords":142,"location":158,"meta":159,"name":160,"ogImage":161,"page":167,"seoDescription":186,"showType":189,"slug":175,"startDate":190,"status":191,"stem":192,"subtitle":21,"__hash__":193},"shows\u002Fdatas\u002Fshows\u002Fquadrille-group-show.yml",{"fr":128,"en":129},"Quadrille - Group Show | JAGAL Genève","Quadrille - Group Show | JAGAL Geneva","Rue du Vieux-Chêne 2, 1224 Chêne-Bougeries",[12,132,133,134],"harold-bouvard","stephanie-loo-ng","hayan-kam-nakache","\u002Fmedias\u002Fshows\u002Fquadrille-group-show\u002Fjagal-contemporary-quadrille-group-show.jpg","Geneva",{"fr":138,"en":139},"\u003Ch3>Quadrille - Group Show\u003C\u002Fh3>\n\u003Cp>\n  Avec \u003Cstrong>\u003Ci>Quadrille\u003C\u002Fi>\u003C\u002Fstrong>, JAGAL Maison d'Art réunit quatre artistes aux univers singuliers :\n  \u003Ca href=\"\u002Fartistes\u002Fandreas-fischbach\">Andreas Fischbach\u003C\u002Fa>,\n  \u003Ca href=\"\u002Fartistes\u002Fharold-bouvard\">Harold Bouvard\u003C\u002Fa>,\n  \u003Ca href=\"\u002Fartistes\u002Fstephanie-loo-ng\">Stéphanie Loo-Ng\u003C\u002Fa> et\n  \u003Ca href=\"\u002Fartistes\u002Fhayan-kam-nakache\">Hayan Kam Nakache\u003C\u002Fa>.\n\u003C\u002Fp>\n\u003Cp>\n  Empruntant son nom à une figure construite autour de quatre présences, \u003Ci>Quadrille\u003C\u002Fi> évoque à la fois\n  le \u003Cstrong>mouvement\u003C\u002Fstrong>, l'\u003Cstrong>équilibre\u003C\u002Fstrong> et le \u003Cstrong>dialogue\u003C\u002Fstrong>. Quatre\n  artistes investissent ainsi un même lieu, chacun avec son langage, son rythme et sa sensibilité.\n\u003C\u002Fp>\n\u003Ch3>Quatre langages, un même lieu\u003C\u002Fh3>\n\u003Cp>\n  La peinture hyperréaliste d'Andreas Fischbach, où arts numériques et imaginaire collectif se\n  rencontrent, côtoie les sculptures en bois d'Harold Bouvard, ébéniste de formation qui transforme la\n  matière par des gestes radicaux. Les toiles texturées de Stéphanie Loo-Ng, entre structure et\n  intuition, font face aux peintures et dessins de Hayan Kam Nakache, nourris d'expressionnisme, de bande\n  dessinée et de graffiti.\n\u003C\u002Fp>\n\u003Cp>\n  Les œuvres se rencontrent, se répondent et parfois se confrontent, dessinant au fil de l'exposition une\n  \u003Cstrong>composition commune\u003C\u002Fstrong>. Quatre regards indépendants qui, le temps d'une exposition,\n  viennent structurer et réinventer l'espace.\n\u003C\u002Fp>\n","\u003Ch3>Quadrille - Group Show\u003C\u002Fh3>\n\u003Cp>\n  With \u003Cstrong>\u003Ci>Quadrille\u003C\u002Fi>\u003C\u002Fstrong>, JAGAL Maison d'Art brings together four artists with singular\n  worlds: \u003Ca href=\"\u002Fen\u002Fartists\u002Fandreas-fischbach\">Andreas Fischbach\u003C\u002Fa>,\n  \u003Ca href=\"\u002Fen\u002Fartists\u002Fharold-bouvard\">Harold Bouvard\u003C\u002Fa>,\n  \u003Ca href=\"\u002Fen\u002Fartists\u002Fstephanie-loo-ng\">Stéphanie Loo-Ng\u003C\u002Fa> and\n  \u003Ca href=\"\u002Fen\u002Fartists\u002Fhayan-kam-nakache\">Hayan Kam Nakache\u003C\u002Fa>.\n\u003C\u002Fp>\n\u003Cp>\n  Taking its name from a figure built around four presences, \u003Ci>Quadrille\u003C\u002Fi> evokes\n  \u003Cstrong>movement\u003C\u002Fstrong>, \u003Cstrong>balance\u003C\u002Fstrong> and \u003Cstrong>dialogue\u003C\u002Fstrong> all at once. Four artists\n  take over the same space, each with their own language, rhythm and sensibility.\n\u003C\u002Fp>\n\u003Ch3>Four Languages, One Space\u003C\u002Fh3>\n\u003Cp>\n  Andreas Fischbach's hyperrealist painting, where digital art and the collective imagination meet, sits\n  alongside the wooden sculptures of Harold Bouvard, a trained cabinetmaker who transforms matter through\n  radical gestures. Stéphanie Loo-Ng's textured canvases, between structure and intuition, face the\n  paintings and drawings of Hayan Kam Nakache, steeped in expressionism, comics and graffiti.\n\u003C\u002Fp>\n\u003Cp>\n  The works meet, respond to each other and sometimes clash, gradually drawing a\n  \u003Cstrong>shared composition\u003C\u002Fstrong> across the exhibition. Four independent perspectives that, for the\n  duration of an exhibition, come to structure and reinvent the space.\n\u003C\u002Fp>\n","2026-11-07",true,{"fr":143,"en":152},[144,105,145,5,146,147,148,149,150,151],"exposition collective","galerie genève","Harold Bouvard","Stéphanie Loo-Ng","Hayan Kam Nakache","peinture contemporaine","sculpture sur bois","dialogue artistique",[153,106,154,5,146,147,148,155,156,157],"group exhibition","geneva gallery","contemporary painting","wood sculpture","artistic dialogue","JAGAL",{},"Quadrille",{"url":135,"width":162,"height":163,"alt":164},1200,630,{"fr":165,"en":166},"Exposition collective Quadrille - Art contemporain - JAGAL Genève 2026","Quadrille group show - Contemporary Art - JAGAL Geneva 2026",{"id":168,"title":169,"body":170,"description":14,"extension":18,"meta":178,"navigation":20,"ogImage":21,"path":179,"robots":21,"schemaOrg":21,"seo":180,"sitemap":181,"stem":184,"__hash__":185},"content_fr\u002Fshows\u002Fquadrille-group-show.md","Quadrille Group Show",{"type":7,"value":171,"toc":176},[172],[173,174],"show-page",{"show":175},"quadrille-group-show",{"title":14,"searchDepth":15,"depth":16,"links":177},[],{},"\u002Fexpositions\u002Fquadrille-group-show",{"description":14},{"loc":179,"lastmod":25,"changefreq":182,"priority":183},"weekly",0.9,"shows\u002Fquadrille-group-show","JHi5hgxh8Q9h9ms3tNXX0mQ0FDz-rFbIdG8oNMqnHcM",{"fr":187,"en":188},"Exposition collective Quadrille avec Andreas Fischbach, Harold Bouvard, Stéphanie Loo-Ng et Hayan Kam Nakache, du 1er oct. au 7 nov. 2026.","Quadrille group show with Andreas Fischbach, Harold Bouvard, Stéphanie Loo-Ng and Hayan Kam Nakache, from Oct. 1 to Nov. 7, 2026.","group show","2026-10-01","scheduled","datas\u002Fshows\u002Fquadrille-group-show","g1j34LuSEZ9XMgODCqEN_r_AYZyProaub8g6NdtYP6g","datas\u002Fartists\u002Fandreas-fischbach",[196,199,200,203],{"fr":197,"en":198},"peinture","painting",{"fr":97,"en":98},{"fr":201,"en":202},"art numérique","digital art",{"fr":204,"en":205},"installation multimédia","multimedia installation",{"city":207,"country":209},{"fr":208,"en":136},"Genève",{"fr":71,"en":72,"code":73},"DFWgCUsKnesDZF_XLykVYvXZxG5lPuoVCoNr0OVUaeE",1790164185471]