[{"data":1,"prerenderedAt":538},["ShallowReactive",2],{"page-fr-\u002Fartistes\u002Fandreas-fischbach\u002Foeuvres\u002Fl-ile-du-jour-d-avant":3,"navigation-fr":31,"artwork-datas-l-ile-du-jour-d-avant-fr":56},{"id":4,"title":5,"body":6,"description":15,"extension":19,"meta":20,"navigation":21,"ogImage":22,"path":23,"robots":22,"schemaOrg":22,"seo":24,"sitemap":25,"stem":29,"__hash__":30},"content_fr\u002Fartists\u002Fandreas-fischbach\u002Fartworks\u002Fl-ile-du-jour-d-avant.md","L Ile Du Jour D Avant",{"type":7,"value":8,"toc":14},"minimark",[9],[10,11],"artwork-page",{"artist":12,"artwork":13},"andreas-fischbach","l-ile-du-jour-d-avant",{"title":15,"searchDepth":16,"depth":17,"links":18},"",10,5,[],"md",{},false,null,"\u002Fartistes\u002Fandreas-fischbach\u002Foeuvres\u002Fl-ile-du-jour-d-avant",{"description":15},{"loc":23,"lastmod":26,"changefreq":27,"priority":28},"2026-10-06","monthly",0.8,"artists\u002Fandreas-fischbach\u002Fartworks\u002Fl-ile-du-jour-d-avant","tW6vGa6CUoISVZxYZwdOTMvLLoLnWaMqfs8dyRH7D7o",[32,37,42,46,51],{"title":33,"path":34,"stem":35,"order":36},"à propos","\u002Fa-propos","about",4,{"title":38,"path":39,"stem":40,"order":41},"Artistes","\u002Fartistes","artists",1,{"title":43,"path":44,"stem":45,"order":17},"Contact","\u002Fcontact","contact",{"title":47,"path":48,"stem":49,"order":50},"Expositions","\u002Fexpositions","exhibitions",2,{"title":52,"path":53,"stem":54,"order":55},"Le Salon","\u002Fle-salon","le-salon",3,{"id":57,"title":58,"artform":61,"artist":12,"artistDatas":71,"artworkSurface":164,"availability":167,"category":150,"dateCreated":22,"depth":22,"description":168,"edition":22,"extension":97,"framed":21,"genre":171,"height":181,"imageHeight":182,"imageWidth":183,"images":184,"keywords":186,"medium":203,"meta":206,"name":188,"ogImage":207,"price":22,"priceCurrency":213,"priceOnRequest":214,"relatedArtworks":215,"seoDescription":463,"shows":466,"showsDatas":467,"slug":13,"stem":526,"style":263,"width":389,"year":22,"__hash__":527,"page":528},"artworks\u002Fdatas\u002Fartworks\u002Fandreas-fischbach\u002Fl-ile-du-jour-d-avant.yml",{"fr":59,"en":60},"Andreas Fischbach - L'île du jour d'avant | Peinture","Andreas Fischbach - L'île du jour d'avant | Painting",[62,65,68],{"fr":63,"en":64},"Peinture","Painting",{"fr":66,"en":67},"Acrylique","Acrylic",{"fr":69,"en":70},"Art contemporain","Contemporary art",{"id":72,"title":73,"affiliations":22,"artworks":22,"awards":76,"biography":79,"birthLocation":82,"birthYear":89,"description":90,"education":93,"extension":97,"firstName":98,"gender":99,"jobTitle":100,"lastName":103,"links":104,"mediums":107,"meta":117,"movements":118,"name":128,"nickName":22,"page":129,"portrait":145,"shows":22,"slug":12,"stem":146,"techniques":147,"workLocation":158,"__hash__":163},"artists\u002Fdatas\u002Fartists\u002Fandreas-fischbach.yml",{"fr":74,"en":75},"Andreas Fischbach - Peintre hyperréaliste | JAGAL","Andreas Fischbach - Hyperrealist painter | JAGAL",[77,78],"Otmar Alt Stipendium (2014), Hamm, Germany","Verein artbellwald Stipendium (2018), Bellwald, Switzerland",{"fr":80,"en":81},"\u003Ch3>Andreas Fischbach : l'hyperréalisme à l'ère numérique\u003C\u002Fh3>\n\u003Cp>\n  \u003Cstrong>Andreas Fischbach\u003C\u002Fstrong> est un \u003Cstrong>artiste suisse\u003C\u002Fstrong> reconnu pour son travail dans\n  le domaine de la \u003Cstrong>peinture hyperréaliste contemporaine\u003C\u002Fstrong>. Né en 1982 à Lugano, il grandit\n  dans les forêts du Tessin, puis étudie la peinture à l'\u003Cstrong>Académie des Beaux-Arts de Bologne\u003C\u002Fstrong>,\n  en Italie, avant de poursuivre son cursus aux départements de peinture et de sculpture de la\n  \u003Cstrong>Kunsthochschule Berlin-Weißensee\u003C\u002Fstrong>, en Allemagne. Il reste ensuite à Berlin jusqu'en 2019\n  et vit aujourd'hui à \u003Cstrong>Genève\u003C\u002Fstrong>.\n\u003C\u002Fp>\n\u003Ch3>Fusionner arts numériques et peinture\u003C\u002Fh3>\n\u003Cp>\n  Fischbach se distingue par sa capacité à fusionner \u003Cstrong>arts numériques\u003C\u002Fstrong> et\n  \u003Cstrong>peinture\u003C\u002Fstrong> : îles et montagnes cinématographiques baignées de lumière, portraits\n  esthétiquement parfaits, métropoles éclairées au néon, nature luxuriante et artificielle. Son travail\n  interroge la manière dont les images, classiques comme contemporaines, façonnent notre perception de la\n  réalité, en particulier la vision idéalisée de la nature à l'ère numérique, où les images artificielles\n  deviennent un filtre dominant.\n\u003C\u002Fp>\n\u003Ch3>Une narration en séries\u003C\u002Fh3>\n\u003Cp>\n  L'artiste travaille par \u003Cstrong>séries\u003C\u002Fstrong>, illustrant l'un après l'autre les chapitres d'une\n  narration plus vaste. À chaque étape, il choisit des images et des personnages issus de notre\n  \u003Cstrong>imaginaire collectif\u003C\u002Fstrong>, délibérément stéréotypés, afin de questionner nos influences\n  culturelles à l'ère de la mondialisation et de la digitalisation.\n\u003C\u002Fp>\n\u003Ch3>Des sujets figés dans l'espace et le temps\u003C\u002Fh3>\n\u003Cp>\n  Regards perdus dans le vide, objets esseulés : Fischbach représente ses sujets figés dans l'espace et le\n  temps ou plongés dans le silence, leur conférant une aura d'\u003Cstrong>inquiétude\u003C\u002Fstrong> ou de\n  \u003Cstrong>solitude\u003C\u002Fstrong>. Le protagoniste central est volontairement vidé de toute émotion pour que\n  celle-ci se ressente à l'extérieur, à travers la couleur, l'atmosphère, les contrastes et la géométrie\n  des formes.\n\u003C\u002Fp>\n\u003Ch3>Une couche politique et sociale\u003C\u002Fh3>\n\u003Cp>\n  À la première couche esthétique, le peintre ajoute une couche politique et sociale, souvent empreinte\n  d'une \u003Cstrong>esthétique dystopique\u003C\u002Fstrong>, pour interroger la société de consommation occidentale,\n  les crises écologiques et politiques et, plus globalement, son propre rôle de peintre. Pourquoi l'art\n  doit-il questionner la société ? Pourquoi un tableau doit-il porter ce genre de message ? Pourquoi ne\n  peut-il pas exister pour lui-même ?\n\u003C\u002Fp>\n\u003Ch3>Un parcours entre la Suisse, l'Allemagne et l'Italie\u003C\u002Fh3>\n\u003Cp>\n  Depuis le milieu des années 2000, son travail a été montré en Suisse, en Allemagne, en Italie, en\n  France, au Portugal et en Bulgarie. Il a notamment présenté des expositions personnelles au\n  Kunstverein Kronach et au Kunstverein Wernigerode en Allemagne, à la Otmar Alt Stiftung à Hamm et au\n  Museo Villa Pia de Porza, au Tessin. Installé à Genève, il a présenté en 2024 deux\n  expositions personnelles : \u003Cem>Douce Apocalypse\u003C\u002Fem> à Chêne-Bourg et \u003Cem>Aux Confins de\n  l'Histoire\u003C\u002Fem> à Buchillon, une réflexion sur notre avenir et les récits collectifs qui le\n  façonnent. Il a reçu la bourse de la Otmar Alt Stiftung en 2014 et celle de l'association\n  artbellwald en 2018.\n\u003C\u002Fp>\n","\u003Ch3>Andreas Fischbach: Hyperrealism in the Digital Age\u003C\u002Fh3>\n\u003Cp>\n  \u003Cstrong>Andreas Fischbach\u003C\u002Fstrong> is a \u003Cstrong>Swiss artist\u003C\u002Fstrong> recognised for his work in the\n  field of \u003Cstrong>contemporary hyperrealist painting\u003C\u002Fstrong>. Born in Lugano in 1982, he grew up in the\n  forests of Ticino, then studied painting at the \u003Cstrong>Academy of Fine Arts in Bologna\u003C\u002Fstrong>, Italy,\n  before continuing his studies in the painting and sculpture departments of the\n  \u003Cstrong>Kunsthochschule Berlin-Weißensee\u003C\u002Fstrong>, Germany. He then stayed in Berlin until 2019 and now\n  lives in \u003Cstrong>Geneva\u003C\u002Fstrong>.\n\u003C\u002Fp>\n\u003Ch3>Fusing Digital Art and Painting\u003C\u002Fh3>\n\u003Cp>\n  Fischbach stands out for his ability to fuse \u003Cstrong>digital art\u003C\u002Fstrong> and \u003Cstrong>painting\u003C\u002Fstrong>:\n  cinematic islands and mountains bathed in light, aesthetically perfect portraits, neon-lit metropolises,\n  lush and artificial nature. His work questions how images, whether classical or contemporary, shape our\n  perception of reality, in particular the idealised vision of nature in the digital age, where artificial\n  images have become a dominant filter.\n\u003C\u002Fp>\n\u003Ch3>A Narrative in Series\u003C\u002Fh3>\n\u003Cp>\n  The artist works in \u003Cstrong>series\u003C\u002Fstrong>, illustrating one after another the chapters of a wider\n  narrative. At each stage, he selects images and characters drawn from our\n  \u003Cstrong>collective imagination\u003C\u002Fstrong>, deliberately stereotyped, in order to question our cultural\n  influences in the age of globalisation and digitalisation.\n\u003C\u002Fp>\n\u003Ch3>Subjects Frozen in Space and Time\u003C\u002Fh3>\n\u003Cp>\n  Gazes lost in the void, solitary objects: Fischbach depicts his subjects frozen in space and time or\n  plunged into silence, giving them an aura of \u003Cstrong>unease\u003C\u002Fstrong> or \u003Cstrong>loneliness\u003C\u002Fstrong>. The\n  central protagonist is deliberately emptied of all emotion so that it can be felt from the outside,\n  through colour, atmosphere, contrast and the geometry of forms.\n\u003C\u002Fp>\n\u003Ch3>A Political and Social Layer\u003C\u002Fh3>\n\u003Cp>\n  On top of the first aesthetic layer, the painter adds a political and social one, often marked by a\n  \u003Cstrong>dystopian aesthetic\u003C\u002Fstrong>, to question Western consumer society, ecological and political\n  crises and, more broadly, his own role as a painter. Why must art question society? Why must a painting\n  carry this kind of message? Why can it not exist for its own sake?\n\u003C\u002Fp>\n\u003Ch3>A Career Between Switzerland, Germany and Italy\u003C\u002Fh3>\n\u003Cp>\n  Since the mid-2000s, his work has been shown in Switzerland, Germany, Italy, France, Portugal and\n  Bulgaria. He has notably held solo exhibitions at the Kunstverein Kronach and the Kunstverein\n  Wernigerode in Germany, at the Otmar Alt Stiftung in Hamm and at the Museo Villa Pia in Porza, in\n  Ticino. Now based in Geneva, he presented two solo shows around Lake Geneva in 2024: \u003Cem>Douce\n  Apocalypse\u003C\u002Fem> in Chêne-Bourg and \u003Cem>Aux Confins de l'Histoire\u003C\u002Fem> in Buchillon, a reflection on our\n  future and the collective narratives that shape it. He received a grant from the Otmar Alt Stiftung in\n  2014 and from the artbellwald association in 2018.\n\u003C\u002Fp>\n",{"city":83,"country":85},{"fr":84,"en":84},"Lugano",{"fr":86,"en":87,"code":88},"Suisse","Switzerland","CH","1982",{"fr":91,"en":92},"Andreas Fischbach, peintre hyperréaliste suisse établi à Genève, fusionne peinture et arts numériques pour questionner nos imaginaires collectifs.","Andreas Fischbach, a Swiss hyperrealist painter based in Geneva, fuses painting and digital art to question our collective imagination.",[94,95,96],"Accademia di Belle Arti di Bologna, Diploma in Painting (2009), Bologna, Italy","Kunsthochschule Berlin-Weißensee, guest student in Painting and Sculpture (2006\u002F2007), Berlin, Germany","CSIA – Centro Scolastico per le Industrie Artistiche (2003), Lugano, Switzerland","yml","Andreas","Male",{"fr":101,"en":102},"Peintre hyperréaliste contemporain","Contemporary hyperrealist painter","Fischbach",[105,106],"https:\u002F\u002Fandreasfischbach.ch","https:\u002F\u002Fwww.instagram.com\u002Ffischbach_andreas\u002F",[108,111,114],{"fr":109,"en":110},"peinture sur toile","painting on canvas",{"fr":112,"en":113},"vidéo","video",{"fr":115,"en":116},"projection numérique","digital projection",{},[119,122,125],{"fr":120,"en":121},"art contemporain","contemporary art",{"fr":123,"en":124},"hyperréalisme","hyperrealism",{"fr":126,"en":127},"art multimédia","multimedia art","Andreas Fischbach",{"id":130,"title":128,"body":131,"description":15,"extension":19,"meta":138,"navigation":21,"ogImage":22,"path":139,"robots":22,"schemaOrg":22,"seo":140,"sitemap":141,"stem":143,"__hash__":144},"content_fr\u002Fartists\u002Fandreas-fischbach.md",{"type":7,"value":132,"toc":136},[133],[134,135],"artist-page",{"artist":12},{"title":15,"searchDepth":16,"depth":17,"links":137},[],{},"\u002Fartistes\u002Fandreas-fischbach",{"description":15},{"loc":139,"lastmod":26,"changefreq":27,"priority":142},0.85,"artists\u002Fandreas-fischbach","3MYizho-qwjhiuhXpovaW25lpQdQzftM3INE6_ZAU4k","\u002Fmedias\u002Fartists\u002Fandreas-fischbach\u002Fandreas-fischbach-artist-portrait-jagal.jpg","datas\u002Fartists\u002Fandreas-fischbach",[148,151,152,155],{"fr":149,"en":150},"peinture","painting",{"fr":112,"en":113},{"fr":153,"en":154},"art numérique","digital art",{"fr":156,"en":157},"installation multimédia","multimedia installation",{"city":159,"country":162},{"fr":160,"en":161},"Genève","Geneva",{"fr":86,"en":87,"code":88},"DFWgCUsKnesDZF_XLykVYvXZxG5lPuoVCoNr0OVUaeE",{"fr":165,"en":166},"Toile","Canvas","InStock",{"fr":169,"en":170},"\u003Cp>\n  À JAGAL, l'exposition collective\n  \u003Ca href=\"\u002Fexpositions\u002Fquadrille-group-show\">\u003Cstrong>\u003Ci>Quadrille\u003C\u002Fi>\u003C\u002Fstrong>\u003C\u002Fa>\n  accueille \u003Cstrong>\u003Ci>«L'île du jour d'avant»\u003C\u002Fi>\u003C\u002Fstrong>, acrylique sur toile de 55×65 cm.\n\u003C\u002Fp>\n\u003Cp>\n  Un panneau rectangulaire monté sur un pied métallique se dresse à gauche. Sa surface pâle, tachée et écaillée,\n  ne laisse lire que des fragments de lettres et de chiffres le long de son bord gauche. Au premier plan, un amas\n  de gravats, de plantes sèches et d'objets en silhouette, dont une cafetière italienne sur la droite, forme une\n  bande sombre ponctuée de touches grises et bleutées. Un pylône électrique se découpe à droite. Le haut de la\n  toile est un ciel orange saumon, plus soutenu à gauche.\n\u003C\u002Fp>\n\u003Cp>\n  \u003Ca href=\"\u002Fartistes\u002Fandreas-fischbach\">\u003Cstrong>Andreas Fischbach\u003C\u002Fstrong>\u003C\u002Fa> travaille par séries, chaque toile\n  illustrant un chapitre d'un récit plus vaste nourri de notre imaginaire collectif. Le\n  panneau vidé de son message appartient à ce répertoire d'objets reconnaissables. Dans \u003Ci>Quadrille\u003C\u002Fi>, sa\n  gamme orangée répond à celle de \u003Ci>La dolce attesta\u003C\u002Fi>.\n\u003C\u002Fp>\n","\u003Cp>\n  At JAGAL, the group show\n  \u003Ca href=\"\u002Fen\u002Fexhibitions\u002Fquadrille-group-show\">\u003Cstrong>\u003Ci>Quadrille\u003C\u002Fi>\u003C\u002Fstrong>\u003C\u002Fa>\n  includes \u003Cstrong>\u003Ci>\"L'île du jour d'avant\"\u003C\u002Fi>\u003C\u002Fstrong>, an acrylic on canvas measuring 55×65 cm.\n\u003C\u002Fp>\n\u003Cp>\n  A rectangular sign mounted on a metal stand rises on the left. Its pale, stained and flaking surface leaves\n  only fragments of letters and numbers legible along its left edge. In the foreground, a heap of rubble, dry\n  plants and silhouetted objects, among them a stovetop coffee pot on the right, forms a dark band dotted with\n  grey and bluish touches. An electricity pylon stands out on the right. The upper part of the canvas is a\n  salmon orange sky, deeper on the left.\n\u003C\u002Fp>\n\u003Cp>\n  \u003Ca href=\"\u002Fen\u002Fartists\u002Fandreas-fischbach\">\u003Cstrong>Andreas Fischbach\u003C\u002Fstrong>\u003C\u002Fa> works in series, each canvas\n  illustrating a chapter of a wider narrative drawn from our collective imagination. The sign\n  emptied of its message belongs to this repertoire of recognisable objects. In \u003Ci>Quadrille\u003C\u002Fi>, its orange\n  range answers that of \u003Ci>La dolce attesta\u003C\u002Fi>.\n\u003C\u002Fp>\n",[172,175,178],{"fr":173,"en":174},"Hyperréalisme","Hyperrealism",{"fr":176,"en":177},"Paysage","Landscape",{"fr":179,"en":180},"Art engagé","Socially engaged art",65,"2400","2041",[185],"\u002Fmedias\u002Fartists\u002Fandreas-fischbach\u002Fartworks\u002Fl-ile-du-jour-d-avant\u002Fandreas-fischbach-l-ile-du-jour-d-avant-0.jpg",{"fr":187,"en":196},[128,188,189,123,190,191,192,193,194,195,120],"L'île du jour d'avant","acrylique sur toile","peinture contemporaine","panneau publicitaire","paysage dystopique","Quadrille","exposition collective","galerie genève",[128,188,197,124,198,199,200,193,201,202,121],"acrylic on canvas","contemporary painting","billboard","dystopian landscape","group exhibition","geneva gallery",{"fr":204,"en":205},"Acrylique sur toile","Acrylic on canvas",{},{"url":185,"width":208,"height":209,"alt":210},1200,1411,{"fr":211,"en":212},"L'île du jour d'avant par Andreas Fischbach - Peinture acrylique sur toile - JAGAL Genève","L'île du jour d'avant by Andreas Fischbach - Acrylic Painting on Canvas - JAGAL Geneva","CHF",true,[216,280,346,406],{"id":217,"title":218,"artform":221,"artist":12,"artistDatas":22,"artworkSurface":225,"availability":167,"category":150,"dateCreated":22,"depth":22,"description":226,"edition":22,"extension":97,"framed":21,"genre":229,"height":235,"imageHeight":236,"imageWidth":182,"images":237,"keywords":239,"medium":249,"meta":250,"name":241,"ogImage":251,"price":22,"priceCurrency":213,"priceOnRequest":214,"relatedArtworks":22,"seoDescription":256,"shows":259,"showsDatas":22,"slug":261,"stem":262,"style":263,"width":264,"year":22,"__hash__":265,"page":266},"artworks\u002Fdatas\u002Fartworks\u002Fandreas-fischbach\u002Fend-dance-bar.yml",{"fr":219,"en":220},"Andreas Fischbach - End Dance Bar | Peinture","Andreas Fischbach - End Dance Bar | Painting",[222,223,224],{"fr":63,"en":64},{"fr":66,"en":67},{"fr":69,"en":70},{"fr":165,"en":166},{"fr":227,"en":228},"\u003Cp>\n  \u003Cstrong>\u003Ci>«End Dance Bar»\u003C\u002Fi>\u003C\u002Fstrong> figure parmi les peintures présentées dans l'exposition collective\n  \u003Ca href=\"\u002Fexpositions\u002Fquadrille-group-show\">\u003Cstrong>\u003Ci>Quadrille\u003C\u002Fi>\u003C\u002Fstrong>\u003C\u002Fa>\n  à JAGAL. Acrylique sur toile, 155×105 cm.\n\u003C\u002Fp>\n\u003Cp>\n  Une tour sombre aux étages en gradins se dresse au centre, sous un ciel chargé de nuages bleu pétrole et gris\n  ardoise. À gauche, un second bâtiment en terrasses se perd dans la pénombre. Une végétation dense et tropicale\n  couvre la moitié inférieure et descend vers une étendue d'eau sombre au premier plan. En bas à droite, une\n  enseigne au néon rose porte l'inscription \u003Ci>END DANCE BAR\u003C\u002Fi> et une flèche pointée vers la gauche ; dessous,\n  un sentier éclairé d'une lumière orangée s'enfonce entre les feuillages.\n\u003C\u002Fp>\n\u003Cp>\n  Métropoles éclairées au néon et nature luxuriante reviennent souvent chez\n  \u003Ca href=\"\u002Fartistes\u002Fandreas-fischbach\">\u003Cstrong>Andreas Fischbach\u003C\u002Fstrong>\u003C\u002Fa>, qui fusionne arts numériques et\n  peinture. Les deux registres partagent ici la même nuit : le néon rose est la seule couleur franche d'un\n  paysage tenu dans les bleus et les verts.\n\u003C\u002Fp>\n","\u003Cp>\n  \u003Cstrong>\u003Ci>\"End Dance Bar\"\u003C\u002Fi>\u003C\u002Fstrong> is one of the paintings presented in the group show\n  \u003Ca href=\"\u002Fen\u002Fexhibitions\u002Fquadrille-group-show\">\u003Cstrong>\u003Ci>Quadrille\u003C\u002Fi>\u003C\u002Fstrong>\u003C\u002Fa>\n  at JAGAL. Acrylic on canvas, 155×105 cm.\n\u003C\u002Fp>\n\u003Cp>\n  A dark tower with stepped floors rises at the centre, under a heavy sky of petrol blue and slate grey clouds.\n  To the left, a second terraced building fades into the gloom. Dense tropical vegetation covers the lower half\n  and runs down to a stretch of dark water in the foreground. Lower right, a pink neon sign reads\n  \u003Ci>END DANCE BAR\u003C\u002Fi> beside an arrow pointing left; beneath it, a path lit in orange light leads in between the\n  leaves.\n\u003C\u002Fp>\n\u003Cp>\n  Neon-lit metropolises and lush nature recur in the work of\n  \u003Ca href=\"\u002Fen\u002Fartists\u002Fandreas-fischbach\">\u003Cstrong>Andreas Fischbach\u003C\u002Fstrong>\u003C\u002Fa>, who fuses digital art and\n  painting. Here the two registers share the same night: the pink neon is the only outright colour in a\n  landscape held in blues and greens.\n\u003C\u002Fp>\n",[230,231,232],{"fr":173,"en":174},{"fr":176,"en":177},{"fr":233,"en":234},"Paysage urbain","Cityscape",105,"1649",[238],"\u002Fmedias\u002Fartists\u002Fandreas-fischbach\u002Fartworks\u002Fend-dance-bar\u002Fandreas-fischbach-end-dance-bar-0.jpg",{"fr":240,"en":245},[128,241,189,123,190,242,243,193,194,195,120,244],"End Dance Bar","paysage nocturne","enseigne néon","esthétique dystopique",[128,241,197,124,198,246,247,193,201,202,121,248],"night landscape","neon sign","dystopian aesthetic",{"fr":204,"en":205},{},{"url":238,"width":208,"height":252,"alt":253},825,{"fr":254,"en":255},"End Dance Bar par Andreas Fischbach - Peinture acrylique sur toile - JAGAL Genève","End Dance Bar by Andreas Fischbach - Acrylic Painting on Canvas - JAGAL Geneva",{"fr":257,"en":258},"End Dance Bar d'Andreas Fischbach, acrylique sur toile 155x105 cm. Tour sombre, jungle et néon rose, dans Quadrille à JAGAL Genève.","End Dance Bar by Andreas Fischbach, acrylic on canvas 155x105 cm. Dark tower, jungle and pink neon, in Quadrille at JAGAL Geneva.",[260],"quadrille-group-show","end-dance-bar","datas\u002Fartworks\u002Fandreas-fischbach\u002Fend-dance-bar","figurative",155,"1S1HESGIUmqMhLNZMyO3bO_fBooEfUVF2kFBudQU0s0",{"id":267,"title":241,"body":268,"description":15,"extension":19,"meta":274,"navigation":21,"ogImage":22,"path":275,"robots":22,"schemaOrg":22,"seo":276,"sitemap":277,"stem":278,"__hash__":279},"content_fr\u002Fartists\u002Fandreas-fischbach\u002Fartworks\u002Fend-dance-bar.md",{"type":7,"value":269,"toc":272},[270],[10,271],{"artist":12,"artwork":261},{"title":15,"searchDepth":16,"depth":17,"links":273},[],{},"\u002Fartistes\u002Fandreas-fischbach\u002Foeuvres\u002Fend-dance-bar",{"description":15},{"loc":275,"lastmod":26,"changefreq":27,"priority":28},"artists\u002Fandreas-fischbach\u002Fartworks\u002Fend-dance-bar","i3-tSy3z58f165WMdxiaAr5Zl4z6pphyRnLTqhixgh4",{"id":281,"title":282,"artform":284,"artist":12,"artistDatas":22,"artworkSurface":288,"availability":167,"category":150,"dateCreated":22,"depth":22,"description":291,"edition":22,"extension":97,"framed":21,"genre":294,"height":22,"imageHeight":182,"imageWidth":299,"images":300,"keywords":302,"medium":316,"meta":319,"name":304,"ogImage":320,"price":22,"priceCurrency":213,"priceOnRequest":214,"relatedArtworks":22,"seoDescription":325,"shows":328,"showsDatas":22,"slug":329,"stem":330,"style":263,"width":22,"year":22,"__hash__":331,"page":332},"artworks\u002Fdatas\u002Fartworks\u002Fandreas-fischbach\u002Fglobal-boiling-cocktail-bar.yml",{"fr":283,"en":283},"Andreas Fischbach - Global Boiling Cocktail Bar",[285,286,287],{"fr":63,"en":64},{"fr":66,"en":67},{"fr":69,"en":70},{"fr":289,"en":290},"Plexiglas","Plexiglass",{"fr":292,"en":293},"\u003Cp>\n  Acrylique sur plexiglas de forme circulaire, \u003Cstrong>\u003Ci>«Global Boiling Cocktail Bar»\u003C\u002Fi>\u003C\u002Fstrong> fait\n  partie de l'ensemble de disques réunis dans l'exposition collective\n  \u003Ca href=\"\u002Fexpositions\u002Fquadrille-group-show\">\u003Cstrong>\u003Ci>Quadrille\u003C\u002Fi>\u003C\u002Fstrong>\u003C\u002Fa>\n  à JAGAL.\n\u003C\u002Fp>\n\u003Cp>\n  Le disque est coupé par un bandeau horizontal crème portant l'inscription\n  \u003Ci>GLOBAL BOILING COCKTAIL BAR\u003C\u002Fi> en lettres rouge framboise. Au-dessus, sur un ciel orange et brun, une\n  pyramide rose, une tour-antenne orange et un immeuble aux fenêtres éclairées émergent derrière une masse de\n  feuillage vert sombre, dont la découpe déborde du cercle à gauche et à droite. En dessous, un champ bleu nuit\n  est rayé de lignes blanches horizontales. Sur la photographie, un halo orangé se diffuse sur le mur autour\n  du disque.\n\u003C\u002Fp>\n\u003Cp>\n  Esthétique dystopique, société de consommation, crises écologiques : c'est la couche politique que\n  \u003Ca href=\"\u002Fartistes\u002Fandreas-fischbach\">\u003Cstrong>Andreas Fischbach\u003C\u002Fstrong>\u003C\u002Fa> ajoute à ses images. L'œuvre emprunte la forme d'une enseigne de bar, et son titre accole le vocabulaire de la crise\n  climatique à celui du cocktail.\n\u003C\u002Fp>\n","\u003Cp>\n  A circular acrylic on plexiglass, \u003Cstrong>\u003Ci>\"Global Boiling Cocktail Bar\"\u003C\u002Fi>\u003C\u002Fstrong> belongs to the set\n  of discs assembled in the group show\n  \u003Ca href=\"\u002Fen\u002Fexhibitions\u002Fquadrille-group-show\">\u003Cstrong>\u003Ci>Quadrille\u003C\u002Fi>\u003C\u002Fstrong>\u003C\u002Fa>\n  at JAGAL.\n\u003C\u002Fp>\n\u003Cp>\n  The disc is cut by a horizontal cream band bearing the words \u003Ci>GLOBAL BOILING COCKTAIL BAR\u003C\u002Fi> in raspberry\n  red letters. Above, against an orange and brown sky, a pink pyramid, an orange antenna tower and a building\n  with lit windows emerge behind a mass of dark green foliage whose cut-out edge spills past the circle on both\n  sides. Below, a midnight blue field is crossed by horizontal white lines. In the photograph, an orange halo\n  spreads across the wall around the disc.\n\u003C\u002Fp>\n\u003Cp>\n  Dystopian aesthetics, consumer society, ecological crises: this is the political layer that\n  \u003Ca href=\"\u002Fen\u002Fartists\u002Fandreas-fischbach\">\u003Cstrong>Andreas Fischbach\u003C\u002Fstrong>\u003C\u002Fa> adds to his images. The work borrows the form of a bar sign, and its title pairs the vocabulary of the climate\n  crisis with that of the cocktail.\n\u003C\u002Fp>\n",[295,297,298],{"fr":296,"en":296},"Pop art",{"fr":176,"en":177},{"fr":179,"en":180},"2395",[301],"\u002Fmedias\u002Fartists\u002Fandreas-fischbach\u002Fartworks\u002Fglobal-boiling-cocktail-bar\u002Fandreas-fischbach-global-boiling-cocktail-bar-0.jpg",{"fr":303,"en":310},[128,304,305,306,307,308,309,193,194,195,120,244],"Global Boiling Cocktail Bar","acrylique sur plexiglas","peinture sur plexiglas","œuvre circulaire","enseigne","crise climatique",[128,304,311,312,313,314,315,193,201,202,121,248],"acrylic on plexiglass","painting on plexiglass","circular artwork","sign","climate crisis",{"fr":317,"en":318},"Acrylique sur plexiglas","Acrylic on plexiglass",{},{"url":301,"width":208,"height":321,"alt":322},1203,{"fr":323,"en":324},"Global Boiling Cocktail Bar par Andreas Fischbach - Acrylique sur plexiglas - JAGAL Genève","Global Boiling Cocktail Bar by Andreas Fischbach - Acrylic on Plexiglass - JAGAL Geneva",{"fr":326,"en":327},"Global Boiling Cocktail Bar d'Andreas Fischbach, disque en acrylique sur plexiglas façon enseigne de bar. Dans Quadrille à JAGAL Genève.","Global Boiling Cocktail Bar by Andreas Fischbach, a bar-sign disc in acrylic on plexiglass. On view in Quadrille at JAGAL Geneva.",[260],"global-boiling-cocktail-bar","datas\u002Fartworks\u002Fandreas-fischbach\u002Fglobal-boiling-cocktail-bar","NIrTVYmYqNsedUARtOhcRAdTNRikF6MwwQa1uKLqn6A",{"id":333,"title":304,"body":334,"description":15,"extension":19,"meta":340,"navigation":21,"ogImage":22,"path":341,"robots":22,"schemaOrg":22,"seo":342,"sitemap":343,"stem":344,"__hash__":345},"content_fr\u002Fartists\u002Fandreas-fischbach\u002Fartworks\u002Fglobal-boiling-cocktail-bar.md",{"type":7,"value":335,"toc":338},[336],[10,337],{"artist":12,"artwork":329},{"title":15,"searchDepth":16,"depth":17,"links":339},[],{},"\u002Fartistes\u002Fandreas-fischbach\u002Foeuvres\u002Fglobal-boiling-cocktail-bar",{"description":15},{"loc":341,"lastmod":26,"changefreq":27,"priority":28},"artists\u002Fandreas-fischbach\u002Fartworks\u002Fglobal-boiling-cocktail-bar","-LDyqHjZO2fGevqDcLV8kkP3P-8Jr28ljtRt05W0EqY",{"id":347,"title":348,"artform":351,"artist":12,"artistDatas":22,"artworkSurface":355,"availability":167,"category":150,"dateCreated":22,"depth":22,"description":356,"edition":22,"extension":97,"framed":21,"genre":359,"height":181,"imageHeight":182,"imageWidth":365,"images":366,"keywords":368,"medium":376,"meta":377,"name":370,"ogImage":378,"price":22,"priceCurrency":213,"priceOnRequest":214,"relatedArtworks":22,"seoDescription":383,"shows":386,"showsDatas":22,"slug":387,"stem":388,"style":263,"width":389,"year":22,"__hash__":390,"page":391},"artworks\u002Fdatas\u002Fartworks\u002Fandreas-fischbach\u002Fla-dolce-attesta.yml",{"fr":349,"en":350},"Andreas Fischbach - La dolce attesta | Peinture","Andreas Fischbach - La dolce attesta | Painting",[352,353,354],{"fr":63,"en":64},{"fr":66,"en":67},{"fr":69,"en":70},{"fr":165,"en":166},{"fr":357,"en":358},"\u003Cp>\n  Présentée dans l'exposition collective\n  \u003Ca href=\"\u002Fexpositions\u002Fquadrille-group-show\">\u003Cstrong>\u003Ci>Quadrille\u003C\u002Fi>\u003C\u002Fstrong>\u003C\u002Fa>\n  à JAGAL, \u003Cstrong>\u003Ci>«La dolce attesta»\u003C\u002Fi>\u003C\u002Fstrong> est une acrylique sur toile de 55×65 cm.\n\u003C\u002Fp>\n\u003Cp>\n  Une chaise longue pliante en bois, vue de dos et de trois quarts, occupe le tiers inférieur gauche. Sa toile\n  est rayée de bandes noires et crème. Elle repose sur un sol de sable aux reliefs marqués, traité en bruns et\n  en ocres, et son ombre s'étire vers la gauche. Le reste du champ est rempli d'une brume\n  uniforme qui passe de l'orange brûlé, sur le bord gauche, à un jaune pâle en haut à droite. Aucun horizon\n  n'est visible.\n\u003C\u002Fp>\n\u003Cp>\n  Objets esseulés, sujets figés dans l'espace et le temps :\n  \u003Ca href=\"\u002Fartistes\u002Fandreas-fischbach\">\u003Cstrong>Andreas Fischbach\u003C\u002Fstrong>\u003C\u002Fa> vide volontiers son motif de\n  toute émotion et laisse la couleur et l'atmosphère porter le reste. La chaise vide en donne une version directe. Dans \u003Ci>Quadrille\u003C\u002Fi>, ce petit format fait contrepoids aux\n  disques sur plexiglas du même artiste.\n\u003C\u002Fp>\n","\u003Cp>\n  Presented in the group show\n  \u003Ca href=\"\u002Fen\u002Fexhibitions\u002Fquadrille-group-show\">\u003Cstrong>\u003Ci>Quadrille\u003C\u002Fi>\u003C\u002Fstrong>\u003C\u002Fa>\n  at JAGAL, \u003Cstrong>\u003Ci>\"La dolce attesta\"\u003C\u002Fi>\u003C\u002Fstrong> is an acrylic on canvas measuring 55×65 cm.\n\u003C\u002Fp>\n\u003Cp>\n  A wooden folding deckchair, seen from behind at three-quarter angle, occupies the lower left third. Its fabric\n  is striped in black and cream bands. It stands on sand with marked ridges, painted in browns and ochres, and\n  its shadow stretches to the left. The rest of the field is filled with an even haze that\n  shifts from burnt orange along the left edge to pale yellow at upper right. No horizon is visible.\n\u003C\u002Fp>\n\u003Cp>\n  Solitary objects, subjects frozen in space and time:\n  \u003Ca href=\"\u002Fen\u002Fartists\u002Fandreas-fischbach\">\u003Cstrong>Andreas Fischbach\u003C\u002Fstrong>\u003C\u002Fa> readily empties his motif of\n  emotion and lets colour and atmosphere carry the rest. The empty chair gives a direct version of this. In \u003Ci>Quadrille\u003C\u002Fi>, this small format acts as a counterweight to the\n  artist's plexiglass discs.\n\u003C\u002Fp>\n",[360,361,362],{"fr":173,"en":174},{"fr":176,"en":177},{"fr":363,"en":364},"Nature morte","Still life","1997",[367],"\u002Fmedias\u002Fartists\u002Fandreas-fischbach\u002Fartworks\u002Fla-dolce-attesta\u002Fandreas-fischbach-la-dolce-attesta-0.jpg",{"fr":369,"en":373},[128,370,189,123,190,371,372,193,194,195,120],"La dolce attesta","chaise longue","objet esseulé",[128,370,197,124,198,374,375,193,201,202,121],"deckchair","solitary object",{"fr":204,"en":205},{},{"url":367,"width":208,"height":379,"alt":380},1442,{"fr":381,"en":382},"La dolce attesta par Andreas Fischbach - Peinture acrylique sur toile - JAGAL Genève","La dolce attesta by Andreas Fischbach - Acrylic Painting on Canvas - JAGAL Geneva",{"fr":384,"en":385},"La dolce attesta d'Andreas Fischbach, acrylique sur toile 55x65 cm. Chaise longue rayée dans une brume orange, dans Quadrille à JAGAL.","La dolce attesta by Andreas Fischbach, acrylic on canvas 55x65 cm. A striped deckchair in orange haze, in Quadrille at JAGAL Geneva.",[260],"la-dolce-attesta","datas\u002Fartworks\u002Fandreas-fischbach\u002Fla-dolce-attesta",55,"2LjfEgWqu8YPyWxPuLGiufns787PjR7X9CXhykY_bEs",{"id":392,"title":393,"body":394,"description":15,"extension":19,"meta":400,"navigation":21,"ogImage":22,"path":401,"robots":22,"schemaOrg":22,"seo":402,"sitemap":403,"stem":404,"__hash__":405},"content_fr\u002Fartists\u002Fandreas-fischbach\u002Fartworks\u002Fla-dolce-attesta.md","La Dolce Attesta",{"type":7,"value":395,"toc":398},[396],[10,397],{"artist":12,"artwork":387},{"title":15,"searchDepth":16,"depth":17,"links":399},[],{},"\u002Fartistes\u002Fandreas-fischbach\u002Foeuvres\u002Fla-dolce-attesta",{"description":15},{"loc":401,"lastmod":26,"changefreq":27,"priority":28},"artists\u002Fandreas-fischbach\u002Fartworks\u002Fla-dolce-attesta","NtxMuyF5WIWaL18yyqQhgxLCk2p9TJyG_1VDZe4gLF0",{"id":407,"title":408,"artform":411,"artist":12,"artistDatas":22,"artworkSurface":415,"availability":167,"category":150,"dateCreated":22,"depth":22,"description":416,"edition":22,"extension":97,"framed":21,"genre":419,"height":22,"imageHeight":423,"imageWidth":182,"images":424,"keywords":426,"medium":435,"meta":436,"name":428,"ogImage":437,"price":22,"priceCurrency":213,"priceOnRequest":214,"relatedArtworks":22,"seoDescription":442,"shows":445,"showsDatas":22,"slug":446,"stem":447,"style":263,"width":22,"year":22,"__hash__":448,"page":449},"artworks\u002Fdatas\u002Fartworks\u002Fandreas-fischbach\u002Ftropical-cataclysm.yml",{"fr":409,"en":410},"Andreas Fischbach - Tropical Cataclysm | Plexiglas","Andreas Fischbach - Tropical Cataclysm | Plexiglass",[412,413,414],{"fr":63,"en":64},{"fr":66,"en":67},{"fr":69,"en":70},{"fr":289,"en":290},{"fr":417,"en":418},"\u003Cp>\n  \u003Ci>Burnout Cataclysm\u003C\u002Fi>, \u003Ci>We Love Clima Change\u003C\u002Fi>, \u003Ci>Pyramide\u003C\u002Fi> :\n  \u003Cstrong>\u003Ci>«Tropical Cataclysm»\u003C\u002Fi>\u003C\u002Fstrong> rejoint cet ensemble de disques en acrylique sur plexiglas dans\n  l'exposition collective \u003Ca href=\"\u002Fexpositions\u002Fquadrille-group-show\">\u003Cstrong>\u003Ci>Quadrille\u003C\u002Fi>\u003C\u002Fstrong>\u003C\u002Fa> à JAGAL.\n\u003C\u002Fp>\n\u003Cp>\n  Le titre \u003Ci>TROPICAL CATACLYSM\u003C\u002Fi>, en lettres rose fuchsia évidées de blanc, traverse le disque sur un\n  bandeau crème et déborde du cercle des deux côtés. Au-dessus, un ciel passe du jaune pâle au rouge orangé ;\n  une frange de feuillage vert et turquoise, aux contours dentelés, dépasse elle aussi le bord. En dessous, une\n  eau bleu turquoise striée horizontalement porte en son centre un verre bas rempli d'un liquide ambré et de\n  glace, tracé d'un trait rose cerné de lumière blanche.\n\u003C\u002Fp>\n\u003Cp>\n  Une nature idéalisée, vue à travers les images artificielles devenues filtre dominant à l'ère numérique :\n  c'est l'une des questions que pose \u003Ca href=\"\u002Fartistes\u002Fandreas-fischbach\">\u003Cstrong>Andreas Fischbach\u003C\u002Fstrong>\u003C\u002Fa>.\n  Le titre accole le mot \u003Ci>cataclysme\u003C\u002Fi> à ce vocabulaire\n  d'enseigne.\n\u003C\u002Fp>\n","\u003Cp>\n  \u003Ci>Burnout Cataclysm\u003C\u002Fi>, \u003Ci>We Love Clima Change\u003C\u002Fi>, \u003Ci>Pyramide\u003C\u002Fi>:\n  \u003Cstrong>\u003Ci>\"Tropical Cataclysm\"\u003C\u002Fi>\u003C\u002Fstrong> joins this set of acrylic discs on plexiglass in the group show\n  \u003Ca href=\"\u002Fen\u002Fexhibitions\u002Fquadrille-group-show\">\u003Cstrong>\u003Ci>Quadrille\u003C\u002Fi>\u003C\u002Fstrong>\u003C\u002Fa> at JAGAL.\n\u003C\u002Fp>\n\u003Cp>\n  The title \u003Ci>TROPICAL CATACLYSM\u003C\u002Fi>, in fuchsia pink letters hollowed with white, crosses the disc on a cream\n  band and spills past the circle on both sides. Above, a sky shifts from pale yellow to orange red; a fringe of\n  green and turquoise foliage with jagged edges also breaks over the rim. Below, turquoise blue water with\n  horizontal streaks carries at its centre a low glass filled with amber liquid and ice, drawn in a pink line\n  edged with white light.\n\u003C\u002Fp>\n\u003Cp>\n  An idealised nature, seen through the artificial images that have become the dominant filter of the digital\n  age: this is one of the questions raised by\n  \u003Ca href=\"\u002Fen\u002Fartists\u002Fandreas-fischbach\">\u003Cstrong>Andreas Fischbach\u003C\u002Fstrong>\u003C\u002Fa>. The title attaches the word\n  \u003Ci>cataclysm\u003C\u002Fi> to this sign vocabulary.\n\u003C\u002Fp>\n",[420,421,422],{"fr":296,"en":296},{"fr":176,"en":177},{"fr":179,"en":180},"2255",[425],"\u002Fmedias\u002Fartists\u002Fandreas-fischbach\u002Fartworks\u002Ftropical-cataclysm\u002Fandreas-fischbach-tropical-cataclysm-0.jpg",{"fr":427,"en":432},[128,428,305,306,307,429,430,193,194,195,120,431],"Tropical Cataclysm","paysage tropical","nature artificielle","pop art",[128,428,311,312,313,433,434,193,201,202,121,431],"tropical landscape","artificial nature",{"fr":317,"en":318},{},{"url":425,"width":208,"height":438,"alt":439},1128,{"fr":440,"en":441},"Tropical Cataclysm par Andreas Fischbach - Acrylique sur plexiglas - JAGAL Genève","Tropical Cataclysm by Andreas Fischbach - Acrylic on Plexiglass - JAGAL Geneva",{"fr":443,"en":444},"Tropical Cataclysm d'Andreas Fischbach, disque en acrylique sur plexiglas, jungle, mer turquoise et verre ambré. Dans Quadrille à JAGAL.","Tropical Cataclysm by Andreas Fischbach, an acrylic disc on plexiglass with jungle, turquoise sea and amber glass. In Quadrille at JAGAL.",[260],"tropical-cataclysm","datas\u002Fartworks\u002Fandreas-fischbach\u002Ftropical-cataclysm","jK976JoWL6JQA__euF1EIxsLA9z6xPcSZ39MB-bW9II",{"id":450,"title":428,"body":451,"description":15,"extension":19,"meta":457,"navigation":21,"ogImage":22,"path":458,"robots":22,"schemaOrg":22,"seo":459,"sitemap":460,"stem":461,"__hash__":462},"content_fr\u002Fartists\u002Fandreas-fischbach\u002Fartworks\u002Ftropical-cataclysm.md",{"type":7,"value":452,"toc":455},[453],[10,454],{"artist":12,"artwork":446},{"title":15,"searchDepth":16,"depth":17,"links":456},[],{},"\u002Fartistes\u002Fandreas-fischbach\u002Foeuvres\u002Ftropical-cataclysm",{"description":15},{"loc":458,"lastmod":26,"changefreq":27,"priority":28},"artists\u002Fandreas-fischbach\u002Fartworks\u002Ftropical-cataclysm","yZ22Nl-rsAE6KNJS_IE5JYGGZXEGHdQC10u5pJYUEa4",{"fr":464,"en":465},"L'île du jour d'avant d'Andreas Fischbach, acrylique sur toile 55x65 cm. Panneau effacé sous un ciel orange, dans Quadrille à JAGAL.","L'île du jour d'avant by Andreas Fischbach, acrylic on canvas 55x65 cm. A faded sign under an orange sky, in Quadrille at JAGAL Geneva.",[260],[468],{"id":469,"title":470,"address":473,"artists":474,"artistsDatas":22,"artworks":22,"banner":478,"city":161,"coverImage":478,"description":479,"endDate":482,"events":22,"extension":97,"isFree":214,"keywords":483,"location":493,"meta":494,"name":193,"ogImage":495,"page":500,"seoDescription":518,"showType":521,"slug":260,"startDate":522,"status":523,"stem":524,"subtitle":22,"__hash__":525},"shows\u002Fdatas\u002Fshows\u002Fquadrille-group-show.yml",{"fr":471,"en":472},"Quadrille - Group Show | JAGAL Genève","Quadrille - Group Show | JAGAL Geneva","Rue du Vieux-Chêne 2, 1224 Chêne-Bougeries",[12,475,476,477],"harold-bouvard","stephanie-loo-ng","hayan-kam-nakache","\u002Fmedias\u002Fshows\u002Fquadrille-group-show\u002Fjagal-contemporary-quadrille-group-show.jpg",{"fr":480,"en":481},"\u003Ch3>Quadrille - Group Show\u003C\u002Fh3>\n\u003Cp>\n  Avec \u003Cstrong>\u003Ci>Quadrille\u003C\u002Fi>\u003C\u002Fstrong>, JAGAL Maison d'Art réunit quatre artistes aux univers singuliers :\n  \u003Ca href=\"\u002Fartistes\u002Fandreas-fischbach\">Andreas Fischbach\u003C\u002Fa>,\n  \u003Ca href=\"\u002Fartistes\u002Fharold-bouvard\">Harold Bouvard\u003C\u002Fa>,\n  \u003Ca href=\"\u002Fartistes\u002Fstephanie-loo-ng\">Stéphanie Loo-Ng\u003C\u002Fa> et\n  \u003Ca href=\"\u002Fartistes\u002Fhayan-kam-nakache\">Hayan Kam Nakache\u003C\u002Fa>.\n\u003C\u002Fp>\n\u003Cp>\n  Empruntant son nom à une figure construite autour de quatre présences, \u003Ci>Quadrille\u003C\u002Fi> évoque à la fois\n  le \u003Cstrong>mouvement\u003C\u002Fstrong>, l'\u003Cstrong>équilibre\u003C\u002Fstrong> et le \u003Cstrong>dialogue\u003C\u002Fstrong>. Quatre\n  artistes investissent ainsi un même lieu, chacun avec son langage, son rythme et sa sensibilité.\n\u003C\u002Fp>\n\u003Ch3>Quatre langages, un même lieu\u003C\u002Fh3>\n\u003Cp>\n  La peinture hyperréaliste d'Andreas Fischbach, où arts numériques et imaginaire collectif se\n  rencontrent, côtoie les sculptures en bois d'Harold Bouvard, ébéniste de formation qui transforme la\n  matière par des gestes radicaux. Les toiles texturées de Stéphanie Loo-Ng, entre structure et\n  intuition, font face aux peintures et dessins de Hayan Kam Nakache, nourris d'expressionnisme, de bande\n  dessinée et de graffiti.\n\u003C\u002Fp>\n\u003Cp>\n  Les œuvres se rencontrent, se répondent et parfois se confrontent, dessinant au fil de l'exposition une\n  \u003Cstrong>composition commune\u003C\u002Fstrong>. Quatre regards indépendants qui, le temps d'une exposition,\n  viennent structurer et réinventer l'espace.\n\u003C\u002Fp>\n","\u003Ch3>Quadrille - Group Show\u003C\u002Fh3>\n\u003Cp>\n  With \u003Cstrong>\u003Ci>Quadrille\u003C\u002Fi>\u003C\u002Fstrong>, JAGAL Maison d'Art brings together four artists with singular\n  worlds: \u003Ca href=\"\u002Fen\u002Fartists\u002Fandreas-fischbach\">Andreas Fischbach\u003C\u002Fa>,\n  \u003Ca href=\"\u002Fen\u002Fartists\u002Fharold-bouvard\">Harold Bouvard\u003C\u002Fa>,\n  \u003Ca href=\"\u002Fen\u002Fartists\u002Fstephanie-loo-ng\">Stéphanie Loo-Ng\u003C\u002Fa> and\n  \u003Ca href=\"\u002Fen\u002Fartists\u002Fhayan-kam-nakache\">Hayan Kam Nakache\u003C\u002Fa>.\n\u003C\u002Fp>\n\u003Cp>\n  Taking its name from a figure built around four presences, \u003Ci>Quadrille\u003C\u002Fi> evokes\n  \u003Cstrong>movement\u003C\u002Fstrong>, \u003Cstrong>balance\u003C\u002Fstrong> and \u003Cstrong>dialogue\u003C\u002Fstrong> all at once. Four artists\n  take over the same space, each with their own language, rhythm and sensibility.\n\u003C\u002Fp>\n\u003Ch3>Four Languages, One Space\u003C\u002Fh3>\n\u003Cp>\n  Andreas Fischbach's hyperrealist painting, where digital art and the collective imagination meet, sits\n  alongside the wooden sculptures of Harold Bouvard, a trained cabinetmaker who transforms matter through\n  radical gestures. Stéphanie Loo-Ng's textured canvases, between structure and intuition, face the\n  paintings and drawings of Hayan Kam Nakache, steeped in expressionism, comics and graffiti.\n\u003C\u002Fp>\n\u003Cp>\n  The works meet, respond to each other and sometimes clash, gradually drawing a\n  \u003Cstrong>shared composition\u003C\u002Fstrong> across the exhibition. Four independent perspectives that, for the\n  duration of an exhibition, come to structure and reinvent the space.\n\u003C\u002Fp>\n","2026-11-07",{"fr":484,"en":490},[194,120,195,128,485,486,487,190,488,489],"Harold Bouvard","Stéphanie Loo-Ng","Hayan Kam Nakache","sculpture sur bois","dialogue artistique",[201,121,202,128,485,486,487,198,491,492],"wood sculpture","artistic dialogue","JAGAL",{},{"url":478,"width":208,"height":496,"alt":497},630,{"fr":498,"en":499},"Exposition collective Quadrille - Art contemporain - JAGAL Genève 2026","Quadrille group show - Contemporary Art - JAGAL Geneva 2026",{"id":501,"title":502,"body":503,"description":15,"extension":19,"meta":510,"navigation":21,"ogImage":22,"path":511,"robots":22,"schemaOrg":22,"seo":512,"sitemap":513,"stem":516,"__hash__":517},"content_fr\u002Fshows\u002Fquadrille-group-show.md","Quadrille Group Show",{"type":7,"value":504,"toc":508},[505],[506,507],"show-page",{"show":260},{"title":15,"searchDepth":16,"depth":17,"links":509},[],{},"\u002Fexpositions\u002Fquadrille-group-show",{"description":15},{"loc":511,"lastmod":26,"changefreq":514,"priority":515},"weekly",0.9,"shows\u002Fquadrille-group-show","uIDFsUPSytXvHrV-FiecyOrB4P_daUzFM-3iHKhVgo0",{"fr":519,"en":520},"Exposition collective Quadrille avec Andreas Fischbach, Harold Bouvard, Stéphanie Loo-Ng et Hayan Kam Nakache, du 1er oct. au 7 nov. 2026.","Quadrille group show with Andreas Fischbach, Harold Bouvard, Stéphanie Loo-Ng and Hayan Kam Nakache, from Oct. 1 to Nov. 7, 2026.","group show","2026-10-01","scheduled","datas\u002Fshows\u002Fquadrille-group-show","g1j34LuSEZ9XMgODCqEN_r_AYZyProaub8g6NdtYP6g","datas\u002Fartworks\u002Fandreas-fischbach\u002Fl-ile-du-jour-d-avant","ya3kVwTEUL7SssZpYY2LC8zstzW_fRfG144JyhaGFb0",{"id":4,"title":5,"body":529,"description":15,"extension":19,"meta":535,"navigation":21,"ogImage":22,"path":23,"robots":22,"schemaOrg":22,"seo":536,"sitemap":537,"stem":29,"__hash__":30},{"type":7,"value":530,"toc":533},[531],[10,532],{"artist":12,"artwork":13},{"title":15,"searchDepth":16,"depth":17,"links":534},[],{},{"description":15},{"loc":23,"lastmod":26,"changefreq":27,"priority":28},1791285375497]