[{"data":1,"prerenderedAt":496},["ShallowReactive",2],{"page-fr-\u002Fexpositions\u002Fquadrille-group-show":3,"navigation-fr":30,"show-datas-quadrille-group-show-fr":55},{"id":4,"title":5,"body":6,"description":14,"extension":18,"meta":19,"navigation":20,"ogImage":21,"path":22,"robots":21,"schemaOrg":21,"seo":23,"sitemap":24,"stem":28,"__hash__":29},"content_fr\u002Fshows\u002Fquadrille-group-show.md","Quadrille Group Show",{"type":7,"value":8,"toc":13},"minimark",[9],[10,11],"show-page",{"show":12},"quadrille-group-show",{"title":14,"searchDepth":15,"depth":16,"links":17},"",10,5,[],"md",{},false,null,"\u002Fexpositions\u002Fquadrille-group-show",{"description":14},{"loc":22,"lastmod":25,"changefreq":26,"priority":27},"2026-09-23","weekly",0.9,"shows\u002Fquadrille-group-show","JHi5hgxh8Q9h9ms3tNXX0mQ0FDz-rFbIdG8oNMqnHcM",[31,36,41,45,50],{"title":32,"path":33,"stem":34,"order":35},"à propos","\u002Fa-propos","about",4,{"title":37,"path":38,"stem":39,"order":40},"Artistes","\u002Fartistes","artists",1,{"title":42,"path":43,"stem":44,"order":16},"Contact","\u002Fcontact","contact",{"title":46,"path":47,"stem":48,"order":49},"Expositions","\u002Fexpositions","exhibitions",2,{"title":51,"path":52,"stem":53,"order":54},"Le Salon","\u002Fle-salon","le-salon",3,{"id":56,"title":57,"address":60,"artists":61,"artistsDatas":66,"artworks":393,"banner":394,"city":158,"coverImage":394,"description":395,"endDate":398,"events":399,"extension":93,"isFree":413,"keywords":463,"location":421,"meta":474,"name":418,"ogImage":475,"page":479,"seoDescription":489,"showType":492,"slug":12,"startDate":493,"status":460,"stem":494,"subtitle":21,"__hash__":495},"shows\u002Fdatas\u002Fshows\u002Fquadrille-group-show.yml",{"fr":58,"en":59},"Quadrille - Group Show | JAGAL Genève","Quadrille - Group Show | JAGAL Geneva","Rue du Vieux-Chêne 2, 1224 Chêne-Bougeries",[62,63,64,65],"andreas-fischbach","harold-bouvard","stephanie-loo-ng","hayan-kam-nakache",[67,161,245,323],{"id":68,"title":69,"affiliations":21,"artworks":21,"awards":72,"biography":75,"birthLocation":78,"birthYear":85,"description":86,"education":89,"extension":93,"firstName":94,"gender":95,"jobTitle":96,"lastName":99,"links":100,"mediums":103,"meta":113,"movements":114,"name":124,"nickName":21,"page":125,"portrait":142,"shows":21,"slug":62,"stem":143,"techniques":144,"workLocation":155,"__hash__":160},"artists\u002Fdatas\u002Fartists\u002Fandreas-fischbach.yml",{"fr":70,"en":71},"Andreas Fischbach - Peintre hyperréaliste | JAGAL","Andreas Fischbach - Hyperrealist painter | JAGAL",[73,74],"Otmar Alt Stipendium (2014), Hamm, Germany","Verein artbellwald Stipendium (2018), Bellwald, Switzerland",{"fr":76,"en":77},"\u003Ch3>Andreas Fischbach : l'hyperréalisme à l'ère numérique\u003C\u002Fh3>\n\u003Cp>\n  \u003Cstrong>Andreas Fischbach\u003C\u002Fstrong> est un \u003Cstrong>artiste suisse\u003C\u002Fstrong> reconnu pour son travail dans\n  le domaine de la \u003Cstrong>peinture hyperréaliste contemporaine\u003C\u002Fstrong>. Né en 1982 à Lugano, il grandit\n  dans les forêts du Tessin, puis étudie la peinture à l'\u003Cstrong>Académie des Beaux-Arts de Bologne\u003C\u002Fstrong>,\n  en Italie, avant de poursuivre son cursus aux départements de peinture et de sculpture de la\n  \u003Cstrong>Kunsthochschule Berlin-Weißensee\u003C\u002Fstrong>, en Allemagne. Il reste ensuite à Berlin jusqu'en 2019\n  et vit aujourd'hui à \u003Cstrong>Genève\u003C\u002Fstrong>.\n\u003C\u002Fp>\n\u003Ch3>Fusionner arts numériques et peinture\u003C\u002Fh3>\n\u003Cp>\n  Fischbach se distingue par sa capacité à fusionner \u003Cstrong>arts numériques\u003C\u002Fstrong> et\n  \u003Cstrong>peinture\u003C\u002Fstrong> : îles et montagnes cinématographiques baignées de lumière, portraits\n  esthétiquement parfaits, métropoles éclairées au néon, nature luxuriante et artificielle. Son travail\n  interroge la manière dont les images, classiques comme contemporaines, façonnent notre perception de la\n  réalité, en particulier la vision idéalisée de la nature à l'ère numérique, où les images artificielles\n  deviennent un filtre dominant.\n\u003C\u002Fp>\n\u003Ch3>Une narration en séries\u003C\u002Fh3>\n\u003Cp>\n  L'artiste travaille par \u003Cstrong>séries\u003C\u002Fstrong>, illustrant l'un après l'autre les chapitres d'une\n  narration plus vaste. À chaque étape, il choisit des images et des personnages issus de notre\n  \u003Cstrong>imaginaire collectif\u003C\u002Fstrong>, délibérément stéréotypés, afin de questionner nos influences\n  culturelles à l'ère de la mondialisation et de la digitalisation.\n\u003C\u002Fp>\n\u003Ch3>Des sujets figés dans l'espace et le temps\u003C\u002Fh3>\n\u003Cp>\n  Regards perdus dans le vide, objets esseulés : Fischbach représente ses sujets figés dans l'espace et le\n  temps ou plongés dans le silence, leur conférant une aura d'\u003Cstrong>inquiétude\u003C\u002Fstrong> ou de\n  \u003Cstrong>solitude\u003C\u002Fstrong>. Le protagoniste central est volontairement vidé de toute émotion pour que\n  celle-ci se ressente à l'extérieur, à travers la couleur, l'atmosphère, les contrastes et la géométrie\n  des formes.\n\u003C\u002Fp>\n\u003Ch3>Une couche politique et sociale\u003C\u002Fh3>\n\u003Cp>\n  À la première couche esthétique, le peintre ajoute une couche politique et sociale, souvent empreinte\n  d'une \u003Cstrong>esthétique dystopique\u003C\u002Fstrong>, pour interroger la société de consommation occidentale,\n  les crises écologiques et politiques et, plus globalement, son propre rôle de peintre. Pourquoi l'art\n  doit-il questionner la société ? Pourquoi un tableau doit-il porter ce genre de message ? Pourquoi ne\n  peut-il pas exister pour lui-même ?\n\u003C\u002Fp>\n\u003Ch3>Un parcours entre la Suisse, l'Allemagne et l'Italie\u003C\u002Fh3>\n\u003Cp>\n  Depuis le milieu des années 2000, son travail a été montré en Suisse, en Allemagne, en Italie, en\n  France, au Portugal et en Bulgarie. Il a notamment présenté des expositions personnelles au\n  Kunstverein Kronach et au Kunstverein Wernigerode en Allemagne, à la Otmar Alt Stiftung à Hamm et au\n  Museo Villa Pia de Porza, au Tessin. Installé à Genève, il a présenté en 2024 deux\n  expositions personnelles : \u003Cem>Douce Apocalypse\u003C\u002Fem> à Chêne-Bourg et \u003Cem>Aux Confins de\n  l'Histoire\u003C\u002Fem> à Buchillon, une réflexion sur notre avenir et les récits collectifs qui le\n  façonnent. Il a reçu la bourse de la Otmar Alt Stiftung en 2014 et celle de l'association\n  artbellwald en 2018.\n\u003C\u002Fp>\n","\u003Ch3>Andreas Fischbach: Hyperrealism in the Digital Age\u003C\u002Fh3>\n\u003Cp>\n  \u003Cstrong>Andreas Fischbach\u003C\u002Fstrong> is a \u003Cstrong>Swiss artist\u003C\u002Fstrong> recognised for his work in the\n  field of \u003Cstrong>contemporary hyperrealist painting\u003C\u002Fstrong>. Born in Lugano in 1982, he grew up in the\n  forests of Ticino, then studied painting at the \u003Cstrong>Academy of Fine Arts in Bologna\u003C\u002Fstrong>, Italy,\n  before continuing his studies in the painting and sculpture departments of the\n  \u003Cstrong>Kunsthochschule Berlin-Weißensee\u003C\u002Fstrong>, Germany. He then stayed in Berlin until 2019 and now\n  lives in \u003Cstrong>Geneva\u003C\u002Fstrong>.\n\u003C\u002Fp>\n\u003Ch3>Fusing Digital Art and Painting\u003C\u002Fh3>\n\u003Cp>\n  Fischbach stands out for his ability to fuse \u003Cstrong>digital art\u003C\u002Fstrong> and \u003Cstrong>painting\u003C\u002Fstrong>:\n  cinematic islands and mountains bathed in light, aesthetically perfect portraits, neon-lit metropolises,\n  lush and artificial nature. His work questions how images, whether classical or contemporary, shape our\n  perception of reality, in particular the idealised vision of nature in the digital age, where artificial\n  images have become a dominant filter.\n\u003C\u002Fp>\n\u003Ch3>A Narrative in Series\u003C\u002Fh3>\n\u003Cp>\n  The artist works in \u003Cstrong>series\u003C\u002Fstrong>, illustrating one after another the chapters of a wider\n  narrative. At each stage, he selects images and characters drawn from our\n  \u003Cstrong>collective imagination\u003C\u002Fstrong>, deliberately stereotyped, in order to question our cultural\n  influences in the age of globalisation and digitalisation.\n\u003C\u002Fp>\n\u003Ch3>Subjects Frozen in Space and Time\u003C\u002Fh3>\n\u003Cp>\n  Gazes lost in the void, solitary objects: Fischbach depicts his subjects frozen in space and time or\n  plunged into silence, giving them an aura of \u003Cstrong>unease\u003C\u002Fstrong> or \u003Cstrong>loneliness\u003C\u002Fstrong>. The\n  central protagonist is deliberately emptied of all emotion so that it can be felt from the outside,\n  through colour, atmosphere, contrast and the geometry of forms.\n\u003C\u002Fp>\n\u003Ch3>A Political and Social Layer\u003C\u002Fh3>\n\u003Cp>\n  On top of the first aesthetic layer, the painter adds a political and social one, often marked by a\n  \u003Cstrong>dystopian aesthetic\u003C\u002Fstrong>, to question Western consumer society, ecological and political\n  crises and, more broadly, his own role as a painter. Why must art question society? Why must a painting\n  carry this kind of message? Why can it not exist for its own sake?\n\u003C\u002Fp>\n\u003Ch3>A Career Between Switzerland, Germany and Italy\u003C\u002Fh3>\n\u003Cp>\n  Since the mid-2000s, his work has been shown in Switzerland, Germany, Italy, France, Portugal and\n  Bulgaria. He has notably held solo exhibitions at the Kunstverein Kronach and the Kunstverein\n  Wernigerode in Germany, at the Otmar Alt Stiftung in Hamm and at the Museo Villa Pia in Porza, in\n  Ticino. Now based in Geneva, he presented two solo shows around Lake Geneva in 2024: \u003Cem>Douce\n  Apocalypse\u003C\u002Fem> in Chêne-Bourg and \u003Cem>Aux Confins de l'Histoire\u003C\u002Fem> in Buchillon, a reflection on our\n  future and the collective narratives that shape it. He received a grant from the Otmar Alt Stiftung in\n  2014 and from the artbellwald association in 2018.\n\u003C\u002Fp>\n",{"city":79,"country":81},{"fr":80,"en":80},"Lugano",{"fr":82,"en":83,"code":84},"Suisse","Switzerland","CH","1982",{"fr":87,"en":88},"Andreas Fischbach, peintre hyperréaliste suisse établi à Genève, fusionne peinture et arts numériques pour questionner nos imaginaires collectifs.","Andreas Fischbach, a Swiss hyperrealist painter based in Geneva, fuses painting and digital art to question our collective imagination.",[90,91,92],"Accademia di Belle Arti di Bologna, Diploma in Painting (2009), Bologna, Italy","Kunsthochschule Berlin-Weißensee, guest student in Painting and Sculpture (2006\u002F2007), Berlin, Germany","CSIA – Centro Scolastico per le Industrie Artistiche (2003), Lugano, Switzerland","yml","Andreas","Male",{"fr":97,"en":98},"Peintre hyperréaliste contemporain","Contemporary hyperrealist painter","Fischbach",[101,102],"https:\u002F\u002Fandreasfischbach.ch","https:\u002F\u002Fwww.instagram.com\u002Ffischbach_andreas\u002F",[104,107,110],{"fr":105,"en":106},"peinture sur toile","painting on canvas",{"fr":108,"en":109},"vidéo","video",{"fr":111,"en":112},"projection numérique","digital projection",{},[115,118,121],{"fr":116,"en":117},"art contemporain","contemporary art",{"fr":119,"en":120},"hyperréalisme","hyperrealism",{"fr":122,"en":123},"art multimédia","multimedia art","Andreas Fischbach",{"id":126,"title":124,"body":127,"description":14,"extension":18,"meta":134,"navigation":20,"ogImage":21,"path":135,"robots":21,"schemaOrg":21,"seo":136,"sitemap":137,"stem":140,"__hash__":141},"content_fr\u002Fartists\u002Fandreas-fischbach.md",{"type":7,"value":128,"toc":132},[129],[130,131],"artist-page",{"artist":62},{"title":14,"searchDepth":15,"depth":16,"links":133},[],{},"\u002Fartistes\u002Fandreas-fischbach",{"description":14},{"loc":135,"lastmod":25,"changefreq":138,"priority":139},"monthly",0.85,"artists\u002Fandreas-fischbach","k-rzIM-r9otAHXHD9RYuJqCumwO-sz9kIBgWhNX8gAA","\u002Fmedias\u002Fartists\u002Fandreas-fischbach\u002Fandreas-fischbach-artist-portrait-jagal.jpg","datas\u002Fartists\u002Fandreas-fischbach",[145,148,149,152],{"fr":146,"en":147},"peinture","painting",{"fr":108,"en":109},{"fr":150,"en":151},"art numérique","digital art",{"fr":153,"en":154},"installation multimédia","multimedia installation",{"city":156,"country":159},{"fr":157,"en":158},"Genève","Geneva",{"fr":82,"en":83,"code":84},"DFWgCUsKnesDZF_XLykVYvXZxG5lPuoVCoNr0OVUaeE",{"id":162,"title":163,"affiliations":21,"artworks":21,"awards":21,"biography":166,"birthLocation":169,"birthYear":175,"description":176,"education":179,"extension":93,"firstName":182,"gender":95,"jobTitle":183,"lastName":186,"links":187,"mediums":189,"meta":208,"movements":209,"name":211,"nickName":21,"page":212,"portrait":226,"shows":21,"slug":63,"stem":227,"techniques":228,"workLocation":241,"__hash__":244},"artists\u002Fdatas\u002Fartists\u002Fharold-bouvard.yml",{"fr":164,"en":165},"Harold Bouvard - Sculpteur et graveur sur bois | JAGAL","Harold Bouvard - Wood sculptor and printmaker | JAGAL",{"fr":167,"en":168},"\u003Ch3>Harold Bouvard : l'ébéniste devenu sculpteur\u003C\u002Fh3>\n\u003Cp>\n  Né en 1974 à Bonneville, en Haute-Savoie, \u003Cstrong>Harold Bouvard\u003C\u002Fstrong> est un\n  \u003Cstrong>sculpteur français établi à Genève\u003C\u002Fstrong>. Titulaire d'un CFC d'ébéniste et ancien étudiant\n  de la \u003Cstrong>HEAD – Genève\u003C\u002Fstrong>, il revendique son bagage d'artisan et met sa connaissance intime\n  des matériaux, en particulier le \u003Cstrong>bois\u003C\u002Fstrong>, le \u003Cstrong>tissu\u003C\u002Fstrong> et le\n  \u003Cstrong>cuir\u003C\u002Fstrong>, au service de sa recherche artistique. Puisant dans un large éventail de\n  références, tirées de l'histoire passée comme présente, il se plaît à brouiller les catégories :\n  artisan et artiste, culture élitaire et populaire, objet brut et objet usiné. Par des\n  \u003Cstrong>gestes sculpturaux radicaux\u003C\u002Fstrong>, parfois teintés d'un romantisme assumé, il fabrique et\n  déconstruit une œuvre plastique qui se déploie sur plusieurs plans.\n\u003C\u002Fp>\n\u003Ch3>Transformer la matière\u003C\u002Fh3>\n\u003Cp>\n  Ses expérimentations privilégient la \u003Cstrong>transformation de la matière\u003C\u002Fstrong> et des images par\n  l'assemblage, chaque pièce devenant le point de départ d'hypothèses formelles et conceptuelles.\n  Contreplaqué arraché, sciure collée, peinture et découpe sur bois ou sur pages de magazines : Harold\n  Bouvard exploite le bois, sa fibre et ses produits dérivés pour mieux les détourner de leurs usages\n  courants. Peinture obtenue par ponçage ou décapage, maquettes faites de chutes, compositions de\n  placages et de panneaux composites pressés à l'aveugle sous vide, moulages de surfaces de poussière\n  de bois : ces procédés forment la grammaire d'un \u003Cstrong>langage tridimensionnel\u003C\u002Fstrong> singulier.\n  Au-delà de l'influence de l'artisanat et du fait main, son œuvre fait se rejoindre la pensée et la\n  forme, la poésie et la fonction, dans une grande variété de formats, d'échelles et de traitements du\n  bois.\n\u003C\u002Fp>\n\u003Ch3>De l'accident d'atelier à la réflexion\u003C\u002Fh3>\n\u003Cp>\n  Ses œuvres tissent des relations singulières entre les matériaux, leur histoire, l'ébénisterie et les\n  outils qui les font naître. Tout part souvent des \u003Cstrong>accidents\u003C\u002Fstrong> et des observations de la\n  pratique d'atelier, qui deviennent ensuite le moteur d'une réflexion sur notre environnement et sur\n  les traces que laissent nos interventions, qu'elles soient volontaires ou non.\n\u003C\u002Fp>\n\u003Ch3>Des forces opposées dans la masse du bois\u003C\u002Fh3>\n\u003Cp>\n  Les sculptures d'Harold Bouvard contiennent des forces contraires qui s'entremêlent et s'équilibrent :\n  verticalité et horizontalité, symétrie et asymétrie, matériaux laissés bruts ou au contraire très\n  travaillés. Les contraintes imposées par le matériau nourrissent paradoxalement la liberté\n  d'expression, et la densité de la masse est compensée par la fragilité des formes et un\n  \u003Cstrong>équilibre précaire\u003C\u002Fstrong>. Ces créatures hybrides, à la fois végétales et façonnées par la\n  main humaine, évoquent des hélices, comme les fruits du tilleul, ou des ailes d'oiseaux. Elles semblent\n  continuer à croître dans l'espace, comme si la poussée initiale du bois ne s'était jamais arrêtée.\n\u003C\u002Fp>\n\u003Ch3>La série Indigène\u003C\u002Fh3>\n\u003Cp>\n  La série \u003Cem>Indigène\u003C\u002Fem>, qui oscille entre force et fragilité, compte deux sculptures taillées\n  l'une dans le noyer, l'autre dans le tilleul. L'artiste a choisi ce dernier pour deux qualités : c'est\n  une essence indigène, et sa fibre très homogène se prête facilement au travail. \u003Cem>Indigène n°2\u003C\u002Fem>\n  (2019) a été acquise en 2020 par le \u003Cstrong>Fonds d'art contemporain de la Ville de Genève\n  (FMAC)\u003C\u002Fstrong>.\n\u003C\u002Fp>\n\u003Ch3>De la sculpture à la gravure\u003C\u002Fh3>\n\u003Cp>\n  Invité à une exposition collective à Genève entre novembre 2018 et février 2019, Harold Bouvard y\n  développe une dérive de sa pratique de sculpteur : la \u003Cstrong>gravure\u003C\u002Fstrong>. Pour la série\n  \u003Cem>Black sap\u003C\u002Fem>, il creuse dans un tronc de cèdre des formes abstraites composées à partir de papiers\n  découpés, puis imprime la matrice au rouleau, par le poids du corps, sur du papier plotter qui révèle le\n  veinage, les nœuds et les imperfections du bois travaillé à la main. Comme dans la technique de la\n  plaque perdue, la surface est ensuite rabotée et n'en garde que les creux les plus profonds, des\n  strates qui apparaissent puis s'effacent telle une image fantôme. Dans la lignée de ce travail de papier\n  découpé, la série de collages \u003Cem>Colombo stile\u003C\u002Fem> part des pages d'un livre d'aménagement intérieur\n  déniché dans une brocante : les découpes y font apparaître en négatif des formes hybrides, qui\n  dialoguent avec ses sculptures.\n\u003C\u002Fp>\n\u003Ch3>Parcours\u003C\u002Fh3>\n\u003Cp>\n  Harold Bouvard a notamment participé à plusieurs expositions collectives au\n  \u003Cstrong>CAN – Centre d'art Neuchâtel\u003C\u002Fstrong> entre 2013 et 2015. En 2020, l'exposition personnelle\n  \u003Cem>Sous le soleil exactement\u003C\u002Fem>, à Genève, réunit ses dernières pièces autour d'une forme\n  monumentale taillée dans la masse d'un tronc de cèdre posé en équilibre : sculptures, gravures, bois et\n  papier y dialoguent.\n\u003C\u002Fp>\n","\u003Ch3>Harold Bouvard: The Cabinetmaker Turned Sculptor\u003C\u002Fh3>\n\u003Cp>\n  Born in 1974 in Bonneville, in Haute-Savoie, \u003Cstrong>Harold Bouvard\u003C\u002Fstrong> is a\n  \u003Cstrong>French sculptor based in Geneva\u003C\u002Fstrong>. A trained cabinetmaker and former student of\n  \u003Cstrong>HEAD – Genève\u003C\u002Fstrong>, he embraces his craftsman background and puts his intimate knowledge of\n  materials, particularly \u003Cstrong>wood\u003C\u002Fstrong>, \u003Cstrong>fabric\u003C\u002Fstrong> and \u003Cstrong>leather\u003C\u002Fstrong>, to\n  work in his artistic research. Drawing on a wide range of references from past and present history, he\n  enjoys blurring categories: craftsman and artist, elite and popular culture, raw and manufactured\n  object. Through \u003Cstrong>radical sculptural gestures\u003C\u002Fstrong>, sometimes tinged with an unabashed\n  romanticism, he builds and deconstructs a body of work that unfolds on several levels.\n\u003C\u002Fp>\n\u003Ch3>Transforming Matter\u003C\u002Fh3>\n\u003Cp>\n  His experiments favour the \u003Cstrong>transformation of matter\u003C\u002Fstrong> and of images through assemblage,\n  each piece becoming the starting point for formal and conceptual hypotheses. Torn plywood, glued\n  sawdust, painting and cutting on wood or magazine pages: Harold Bouvard works with wood, its fibre and\n  its by-products in order to divert them from their usual purposes. Painting achieved by sanding or\n  stripping, models made from offcuts, compositions of veneers and composite panels pressed blind under\n  vacuum, casts of wood-dust surfaces: these processes form the grammar of a singular\n  \u003Cstrong>three-dimensional language\u003C\u002Fstrong>. Beyond the influence of craftsmanship and handmade work,\n  his practice brings together thought and form, poetry and function, across a wide variety of formats,\n  scales and treatments of wood.\n\u003C\u002Fp>\n\u003Ch3>From Studio Accident to Reflection\u003C\u002Fh3>\n\u003Cp>\n  His works weave singular relationships between materials, their history, cabinetmaking and the tools\n  that bring them into being. It often starts with the \u003Cstrong>accidents\u003C\u002Fstrong> and observations of\n  studio practice, which then become the driving force of a reflection on our environment and on the\n  traces left by our interventions, whether deliberate or not.\n\u003C\u002Fp>\n\u003Ch3>Opposing Forces Within the Mass of Wood\u003C\u002Fh3>\n\u003Cp>\n  Harold Bouvard's sculptures hold opposing forces that intertwine and balance each other: verticality and\n  horizontality, symmetry and asymmetry, materials left raw or, on the contrary, highly worked. The\n  constraints imposed by the material paradoxically feed his freedom of expression, and the density of\n  the mass is offset by the fragility of the forms and a \u003Cstrong>precarious balance\u003C\u002Fstrong>. These hybrid\n  creatures, both plant-like and shaped by the human hand, evoke propellers, like the fruit of the linden\n  tree, or birds' wings. They seem to keep growing in space, as if the wood's initial thrust had never\n  stopped.\n\u003C\u002Fp>\n\u003Ch3>The Indigène Series\u003C\u002Fh3>\n\u003Cp>\n  The \u003Cem>Indigène\u003C\u002Fem> series, which oscillates between strength and fragility, comprises two sculptures,\n  one carved in walnut and the other in linden. The artist chose linden for two qualities: it is a native\n  species, and its very homogeneous grain makes it easy to work. \u003Cem>Indigène n°2\u003C\u002Fem> (2019) was acquired\n  in 2020 by the \u003Cstrong>Contemporary Art Fund of the City of Geneva (FMAC)\u003C\u002Fstrong>.\n\u003C\u002Fp>\n\u003Ch3>From Sculpture to Printmaking\u003C\u002Fh3>\n\u003Cp>\n  Invited to a group exhibition in Geneva between November 2018 and February 2019, Harold Bouvard developed\n  an offshoot of his sculptural practice: \u003Cstrong>printmaking\u003C\u002Fstrong>. For the \u003Cem>Black sap\u003C\u002Fem> series,\n  he carved abstract forms, composed from cut-out paper, into a cedar trunk, then printed the matrix with a\n  roller, using his body weight, on plotter paper that reveals the grain, knots and imperfections of the\n  hand-worked wood. As in the reduction printing technique, the surface is then planed down, keeping only\n  the deepest hollows: strata that appear and then fade away like a ghost image. Continuing this work with\n  cut paper, the \u003Cem>Colombo stile\u003C\u002Fem> collage series starts from the pages of an interior design book\n  found at a flea market: the cut-outs reveal hybrid forms in negative, which enter into dialogue with his\n  sculptures.\n\u003C\u002Fp>\n\u003Ch3>Career\u003C\u002Fh3>\n\u003Cp>\n  Harold Bouvard has notably taken part in several group exhibitions at the\n  \u003Cstrong>CAN – Centre d'art Neuchâtel\u003C\u002Fstrong> between 2013 and 2015. In 2020, the solo exhibition\n  \u003Cem>Sous le soleil exactement\u003C\u002Fem>, in Geneva, brought together his latest pieces around a monumental\n  form carved from the mass of a cedar trunk balanced in space: sculptures, prints, wood and paper enter\n  into dialogue.\n\u003C\u002Fp>\n",{"city":170,"country":172},{"fr":171,"en":171},"Bonneville",{"fr":173,"en":173,"code":174},"France","FR","1974",{"fr":177,"en":178},"Harold Bouvard, sculpteur français établi à Genève et ébéniste de formation, taille le bois pour brouiller les frontières entre artisanat et art.","Harold Bouvard, a French sculptor based in Geneva and a trained cabinetmaker, carves wood to blur the boundaries between craft and art.",[180,181],"HEAD – Haute école d'art et de design, Geneva, Switzerland","CFC d'ébéniste (Federal VET Diploma in cabinetmaking), Switzerland","Harold",{"fr":184,"en":185},"Sculpteur et graveur","Sculptor and printmaker","Bouvard",[188],"https:\u002F\u002Fwww.haroldbouvard.ch",[190,193,196,199,202,205],{"fr":191,"en":192},"bois","wood",{"fr":194,"en":195},"contreplaqué","plywood",{"fr":197,"en":198},"sciure","sawdust",{"fr":200,"en":201},"papier","paper",{"fr":203,"en":204},"tissu","fabric",{"fr":206,"en":207},"cuir","leather",{},[210],{"fr":116,"en":117},"Harold Bouvard",{"id":213,"title":211,"body":214,"description":14,"extension":18,"meta":220,"navigation":20,"ogImage":21,"path":221,"robots":21,"schemaOrg":21,"seo":222,"sitemap":223,"stem":224,"__hash__":225},"content_fr\u002Fartists\u002Fharold-bouvard.md",{"type":7,"value":215,"toc":218},[216],[130,217],{"artist":63},{"title":14,"searchDepth":15,"depth":16,"links":219},[],{},"\u002Fartistes\u002Fharold-bouvard",{"description":14},{"loc":221,"lastmod":25,"changefreq":138,"priority":139},"artists\u002Fharold-bouvard","cttqrv9WUfeNvKa9q1HHuzFRolw5NXVEh0Zy258bOmk","\u002Fmedias\u002Fartists\u002Fharold-bouvard\u002Fharold-bouvard-artist-portrait-jagal.jpg","datas\u002Fartists\u002Fharold-bouvard",[229,231,234,236,238],{"fr":230,"en":230},"sculpture",{"fr":232,"en":233},"gravure","printmaking",{"fr":235,"en":235},"collage",{"fr":237,"en":237},"assemblage",{"fr":239,"en":240},"ébénisterie","cabinetmaking",{"city":242,"country":243},{"fr":157,"en":158},{"fr":82,"en":83,"code":84},"sUd5wr8v-VYGAAVZ73xSIdm3-Yo2eb11QqsQUbSInAE",{"id":246,"title":247,"affiliations":250,"artworks":21,"awards":21,"biography":252,"birthLocation":255,"birthYear":85,"description":263,"education":266,"extension":93,"firstName":268,"gender":95,"jobTitle":269,"lastName":272,"links":273,"mediums":276,"meta":283,"movements":284,"name":297,"nickName":21,"page":298,"portrait":312,"shows":21,"slug":65,"stem":313,"techniques":314,"workLocation":319,"__hash__":322},"artists\u002Fdatas\u002Fartists\u002Fhayan-kam-nakache.yml",{"fr":248,"en":249},"Hayan Kam Nakache - Peintre et dessinateur | JAGAL","Hayan Kam Nakache - Painter and draughtsman | JAGAL",[251],"Tobby Landei (collective with Josse Bailly)",{"fr":253,"en":254},"\u003Ch3>Hayan Kam Nakache : peindre et dessiner sans a priori\u003C\u002Fh3>\n\u003Cp>\n  Né à Damas en 1982, \u003Cstrong>Hayan Kam Nakache\u003C\u002Fstrong> est un \u003Cstrong>artiste suisse et syrien\u003C\u002Fstrong>\n  qui vit et travaille à \u003Cstrong>Genève\u003C\u002Fstrong>. Diplômé avec mention de la \u003Cstrong>HEAD – Genève\u003C\u002Fstrong>\n  dans le pôle peinture et dessin, il n'a depuis cessé de \u003Cstrong>peindre\u003C\u002Fstrong> et de\n  \u003Cstrong>dessiner\u003C\u002Fstrong>, en expérimentant différentes techniques et différents supports, et en\n  travaillant l'art de la \u003Cstrong>gestuelle\u003C\u002Fstrong> et de l'\u003Cstrong>improvisation\u003C\u002Fstrong>.\n\u003C\u002Fp>\n\u003Ch3>Entre expressionnisme, surréalisme, bande dessinée et graffiti\u003C\u002Fh3>\n\u003Cp>\n  Son style, difficile à enfermer dans une catégorie, oscille entre l'\u003Cstrong>expressionnisme\u003C\u002Fstrong>, le\n  \u003Cstrong>surréalisme\u003C\u002Fstrong>, la \u003Cstrong>bande dessinée\u003C\u002Fstrong> et le \u003Cstrong>graffiti\u003C\u002Fstrong>, et\n  puise aussi dans la peinture du XX\u003Csup>e\u003C\u002Fsup> siècle. Ce qui fait vibrer ses œuvres doit sans doute\n  beaucoup à un mélange de cultures qui va de la calligraphie arabe aux graffitis des parkings. Par le\n  regard et par le trait, il explore sans restriction des zones plus larges que d'autres, avec une\n  remarquable capacité de cadrage, ou de décadrage. Il s'inspire de ce qu'il observe au quotidien, dans la\n  rue comme dans la forêt, et laisse ses émotions guider un instinct qu'il suit sans hésitation.\n\u003C\u002Fp>\n\u003Ch3>De la rue à l'atelier\u003C\u002Fh3>\n\u003Cp>\n  Sur le chemin de l'atelier, tout peut devenir le point de départ d'une œuvre : la vitrine d'un opticien\n  où des lunettes flottent sur des ballons dans un décor de jungle, l'agencement d'un muret de briques,\n  un amas d'encombrants où il récupère un plateau de jeu de société qui lui servira de support. Soucieux\n  de réduire au maximum son impact sur l'environnement, il travaille avec des\n  \u003Cstrong>matériaux de récupération\u003C\u002Fstrong>. À l'atelier, il y applique toutes sortes de médiums, et sa\n  main trace des figures nées de ses impressions et de ses émotions, jusqu'à obtenir parfois\n  « une croûte sombre et épaisse, à l'expression ambiguë et la laideur assumée ». Il en résulte un art\n  authentique, plein d'\u003Cstrong>humour\u003C\u002Fstrong> et de dérision sans jamais être cynique, qui touche les\n  cœurs et éveille les consciences.\n\u003C\u002Fp>\n\u003Ch3>Parcours\u003C\u002Fh3>\n\u003Cp>\n  Hayan Kam Nakache expose principalement en Suisse et en France, dans des institutions et des espaces\n  d'art indépendants : à deux reprises au \u003Cstrong>Mamco\u003C\u002Fstrong> de Genève, au\n  \u003Cstrong>Fri-Art Kunsthalle\u003C\u002Fstrong> de Fribourg, qui a présenté une soixantaine de ses dessins, au\n  \u003Cstrong>CAN – Centre d'art Neuchâtel\u003C\u002Fstrong>, ainsi qu'à Bienne, à Bâle et à Vevey. Il travaille\n  aussi en duo avec Josse Bailly au sein du collectif Tobby Landei. Il a séjourné en résidence à New York,\n  au Caire et à Marseille, et a édité plusieurs fanzines, notamment avec les éditions Innen à Zurich. Son\n  travail fait partie des collections du \u003Cstrong>Fonds d'art contemporain de la Ville de Genève\n  (FMAC)\u003C\u002Fstrong>, du \u003Cstrong>Fonds cantonal d'art contemporain de Genève (FCAC)\u003C\u002Fstrong> et de la\n  collection d'art de La Poste. Parallèlement à sa pratique, il travaille comme animateur en maison de\n  quartier.\n\u003C\u002Fp>\n","\u003Ch3>Hayan Kam Nakache: Painting and Drawing Without Preconceptions\u003C\u002Fh3>\n\u003Cp>\n  Born in Damascus in 1982, \u003Cstrong>Hayan Kam Nakache\u003C\u002Fstrong> is a \u003Cstrong>Swiss-Syrian artist\u003C\u002Fstrong>\n  who lives and works in \u003Cstrong>Geneva\u003C\u002Fstrong>. A graduate with distinction of\n  \u003Cstrong>HEAD – Genève\u003C\u002Fstrong> in painting and drawing, he has never stopped \u003Cstrong>painting\u003C\u002Fstrong>\n  and \u003Cstrong>drawing\u003C\u002Fstrong> since, experimenting with different techniques and supports and working on\n  the art of \u003Cstrong>gesture\u003C\u002Fstrong> and \u003Cstrong>improvisation\u003C\u002Fstrong>.\n\u003C\u002Fp>\n\u003Ch3>Between Expressionism, Surrealism, Comics and Graffiti\u003C\u002Fh3>\n\u003Cp>\n  His style, hard to pin down, oscillates between \u003Cstrong>expressionism\u003C\u002Fstrong>,\n  \u003Cstrong>surrealism\u003C\u002Fstrong>, \u003Cstrong>comics\u003C\u002Fstrong> and \u003Cstrong>graffiti\u003C\u002Fstrong>, and also draws on\n  20th-century painting. What makes his works vibrate no doubt owes much to a blend of cultures ranging\n  from Arabic calligraphy to car-park graffiti. Through his gaze and his line, he explores wider territory\n  than most, without restriction, with a remarkable sense of framing, or deliberate off-framing. He is\n  inspired by what he observes every day, in the street as in the forest, and lets his emotions guide an\n  instinct he follows without hesitation.\n\u003C\u002Fp>\n\u003Ch3>From the Street to the Studio\u003C\u002Fh3>\n\u003Cp>\n  On the way to the studio, anything can become the starting point of a work: an optician's window where\n  glasses float on balloons in a jungle setting, the arrangement of a brick wall, a pile of bulky waste\n  where he picks up a board-game board that will serve as his support. Keen to keep his impact on the\n  environment to a minimum, he works with \u003Cstrong>salvaged materials\u003C\u002Fstrong>. In the studio he applies\n  all kinds of media to them, and his hand traces figures born of his impressions and emotions, sometimes\n  until the surface becomes \"a dark, thick crust, ambiguous in expression and unapologetically ugly\". The\n  result is an authentic art, full of \u003Cstrong>humour\u003C\u002Fstrong> and self-mockery without ever being cynical,\n  that touches hearts and raises awareness.\n\u003C\u002Fp>\n\u003Ch3>Career\u003C\u002Fh3>\n\u003Cp>\n  Hayan Kam Nakache exhibits mainly in Switzerland and France, in institutions and independent art spaces:\n  twice at the \u003Cstrong>Mamco\u003C\u002Fstrong> in Geneva, at \u003Cstrong>Fri-Art Kunsthalle\u003C\u002Fstrong> in Fribourg, which\n  showed some sixty of his drawings, at the \u003Cstrong>CAN – Centre d'art Neuchâtel\u003C\u002Fstrong>, as well as in\n  Biel, Basel and Vevey. He also works as a duo with Josse Bailly in the Tobby Landei collective. He has\n  taken part in residencies in New York, Cairo and Marseille, and has published several fanzines, notably\n  with Innen in Zurich. His work is held in the collections of the \u003Cstrong>Contemporary Art Fund of the\n  City of Geneva (FMAC)\u003C\u002Fstrong>, the \u003Cstrong>Cantonal Contemporary Art Fund of Geneva (FCAC)\u003C\u002Fstrong> and\n  the Swiss Post art collection. Alongside his practice, he works as a youth and community worker in a\n  neighbourhood centre.\n\u003C\u002Fp>\n",{"city":256,"country":259},{"fr":257,"en":258},"Damas","Damascus",{"fr":260,"en":261,"code":262},"Syrie","Syria","SY",{"fr":264,"en":265},"Hayan Kam Nakache, artiste suisse et syrien établi à Genève, peint et dessine entre expressionnisme, bande dessinée et graffiti, sur matériaux récupérés.","Hayan Kam Nakache, a Swiss-Syrian artist based in Geneva, paints and draws between expressionism, comics and graffiti on salvaged materials.",[267],"HEAD – Haute école d'art et de design, Painting and Drawing, with distinction, Geneva, Switzerland","Hayan",{"fr":270,"en":271},"Peintre et dessinateur","Painter and draughtsman","Kam Nakache",[274,275],"https:\u002F\u002Fwww.hayan.ch\u002F","https:\u002F\u002Fwww.instagram.com\u002Fhayankamnakache\u002F",[277,280],{"fr":278,"en":279},"matériaux de récupération","salvaged materials",{"fr":281,"en":282},"techniques mixtes","mixed media",{},[285,286,289,292,295],{"fr":116,"en":117},{"fr":287,"en":288},"expressionnisme","expressionism",{"fr":290,"en":291},"surréalisme","surrealism",{"fr":293,"en":294},"bande dessinée","comics",{"fr":296,"en":296},"graffiti","Hayan Kam Nakache",{"id":299,"title":297,"body":300,"description":14,"extension":18,"meta":306,"navigation":20,"ogImage":21,"path":307,"robots":21,"schemaOrg":21,"seo":308,"sitemap":309,"stem":310,"__hash__":311},"content_fr\u002Fartists\u002Fhayan-kam-nakache.md",{"type":7,"value":301,"toc":304},[302],[130,303],{"artist":65},{"title":14,"searchDepth":15,"depth":16,"links":305},[],{},"\u002Fartistes\u002Fhayan-kam-nakache",{"description":14},{"loc":307,"lastmod":25,"changefreq":138,"priority":139},"artists\u002Fhayan-kam-nakache","ffXJhAlXqy8AtUDhMCqrBBuK2GTzwHA_XGpnzrTxLa8","\u002Fmedias\u002Fartists\u002Fhayan-kam-nakache\u002Fhayan-kam-nakache-artist-portrait-jagal.jpg","datas\u002Fartists\u002Fhayan-kam-nakache",[315,316],{"fr":146,"en":147},{"fr":317,"en":318},"dessin","drawing",{"city":320,"country":321},{"fr":157,"en":158},{"fr":82,"en":83,"code":84},"cLa5CXjJtCwEOShMF3rsKjjHv_5e5Ui7UzwybX-OET8",{"id":324,"title":325,"affiliations":328,"artworks":21,"awards":21,"biography":330,"birthLocation":333,"birthYear":21,"description":339,"education":342,"extension":93,"firstName":344,"gender":345,"jobTitle":346,"lastName":349,"links":350,"mediums":354,"meta":362,"movements":363,"name":368,"nickName":21,"page":369,"portrait":384,"shows":21,"slug":64,"stem":385,"techniques":386,"workLocation":389,"__hash__":392},"artists\u002Fdatas\u002Fartists\u002Fstephanie-loo-ng.yml",{"fr":326,"en":327},"Stéphanie Loo-Ng - Peintre abstraite à Genève | JAGAL","Stéphanie Loo-Ng - Abstract painter in Geneva | JAGAL",[329],"Société Suisse des Beaux-Arts, section Genève (SSBA-GE)",{"fr":331,"en":332},"\u003Ch3>Stéphanie Loo-Ng : entre structure et intuition\u003C\u002Fh3>\n\u003Cp>\n  Née et élevée à Singapour, \u003Cstrong>Stéphanie Loo-Ng\u003C\u002Fstrong> vit à \u003Cstrong>Genève\u003C\u002Fstrong> depuis\n  2000. Ingénieure civile de formation, diplômée de la National University of Singapore, elle est\n  aujourd'hui une \u003Cstrong>artiste peintre contemporaine\u003C\u002Fstrong> dont le travail explore le dialogue\n  entre \u003Cstrong>structure et intuition\u003C\u002Fstrong>, là où les lignes maîtrisées rencontrent les gestes\n  spontanés.\n\u003C\u002Fp>\n\u003Ch3>De l'ingénierie civile à la peinture\u003C\u002Fh3>\n\u003Cp>\n  Son chemin vers l'art a été inattendu. Formée à penser en termes de structure, de précision et de\n  logique, elle a trouvé dans la peinture un autre espace, guidé par l'intuition, l'expérimentation et\n  l'émotion. Nourrie par ce parcours, sa démarche recherche un équilibre entre\n  \u003Cstrong>rigueur formelle\u003C\u002Fstrong> et \u003Cstrong>expression émotionnelle\u003C\u002Fstrong>, entre logique\n  structurelle et liberté créative.\n\u003C\u002Fp>\n\u003Ch3>Des surfaces qui évoquent le béton\u003C\u002Fh3>\n\u003Cp>\n  Stéphanie Loo-Ng travaille la matière avec du \u003Cstrong>médium sable\u003C\u002Fstrong> évoquant le béton, de\n  l'\u003Cstrong>acrylique\u003C\u002Fstrong> et des \u003Cstrong>techniques mixtes\u003C\u002Fstrong>, pour créer des surfaces\n  stratifiées à la qualité brute et tactile. Les variations de densité et les couches de couleurs\n  vibrantes interrogent les tensions entre contrôle et spontanéité, ordre et transformation. Chaque\n  composition devient une négociation entre ordre et improvisation, résilience et métamorphose, et réunit\n  matière, forme et sensibilité dans une harmonie vibrante et volontairement imparfaite.\n\u003C\u002Fp>\n\u003Ch3>Parcours\u003C\u002Fh3>\n\u003Cp>\n  Stéphanie Loo-Ng expose régulièrement à Genève depuis 2006, et plus largement dans la région\n  lémanique : exposition personnelle à Corsier en 2012, exposition des 165 ans de la\n  \u003Cstrong>Société Suisse des Beaux-Arts\u003C\u002Fstrong> à Genève en 2022, puis Montreux en 2023,\n  Chêne-Bougeries en 2024 et Art en Campagne à Collex-Bossy en 2025. Elle est membre du comité de la\n  SSBA-GE, la section genevoise de la Société Suisse des Beaux-Arts. Ses œuvres figurent dans des\n  collections privées en Suisse, au Royaume-Uni, en Allemagne, en France et à Singapour.\n\u003C\u002Fp>\n","\u003Ch3>Stéphanie Loo-Ng: Between Structure and Intuition\u003C\u002Fh3>\n\u003Cp>\n  Born and raised in Singapore, \u003Cstrong>Stéphanie Loo-Ng\u003C\u002Fstrong> has lived in \u003Cstrong>Geneva\u003C\u002Fstrong>\n  since 2000. A civil engineer by training, having graduated from the National University of Singapore,\n  she is today a \u003Cstrong>contemporary painter\u003C\u002Fstrong> whose work explores the interplay between\n  \u003Cstrong>structure and intuition\u003C\u002Fstrong>, where deliberate lines meet spontaneous strokes.\n\u003C\u002Fp>\n\u003Ch3>From Civil Engineering to Painting\u003C\u002Fh3>\n\u003Cp>\n  Her path to art was an unexpected one. Trained to think through structure, precision and logic, she\n  found in painting another space, guided by intuition, experimentation and emotion. Rooted in this\n  background, her practice seeks a balance between \u003Cstrong>formal discipline\u003C\u002Fstrong> and\n  \u003Cstrong>emotional expression\u003C\u002Fstrong>, navigating between structural logic and intuitive freedom.\n\u003C\u002Fp>\n\u003Ch3>Surfaces That Evoke Concrete\u003C\u002Fh3>\n\u003Cp>\n  Stéphanie Loo-Ng works with \u003Cstrong>sand medium\u003C\u002Fstrong> simulating concrete, \u003Cstrong>acrylics\u003C\u002Fstrong>\n  and \u003Cstrong>mixed media\u003C\u002Fstrong> to create layered surfaces with a raw, tactile quality. Shifts in\n  surface density and vibrant layers of colour drive an ongoing exploration of the tension between control\n  and spontaneity. Each composition becomes a negotiation between order and improvisation, resilience and\n  transformation, holding form, texture and emotion together in a state of vibrant, imperfect harmony.\n\u003C\u002Fp>\n\u003Ch3>Career\u003C\u002Fh3>\n\u003Cp>\n  Stéphanie Loo-Ng has been exhibiting regularly in Geneva since 2006, and more widely around Lake Geneva:\n  a solo exhibition in Corsier in 2012, the 165th anniversary exhibition of the\n  \u003Cstrong>Swiss Society of Fine Arts\u003C\u002Fstrong> in Geneva in 2022, then Montreux in 2023, Chêne-Bougeries in\n  2024 and Art en Campagne in Collex-Bossy in 2025. She is a committee member of SSBA-GE, the Geneva\n  section of the Swiss Society of Fine Arts. Her works are held in private collections in Switzerland, the\n  United Kingdom, Germany, France and Singapore.\n\u003C\u002Fp>\n",{"city":334,"country":337},{"fr":335,"en":336},"Singapour","Singapore",{"fr":335,"en":336,"code":338},"SG",{"fr":340,"en":341},"Stéphanie Loo-Ng, artiste singapourienne établie à Genève et ingénieure de formation, fait dialoguer structure et intuition dans des toiles texturées.","Stéphanie Loo-Ng, a Singapore-born artist based in Geneva and a trained engineer, sets structure and intuition in dialogue on textured canvases.",[343],"National University of Singapore, Civil Engineering, Singapore","Stéphanie","Female",{"fr":347,"en":348},"Artiste peintre contemporaine","Contemporary painter","Loo-Ng",[351,352,353],"https:\u002F\u002Fwww.steffloo.com","https:\u002F\u002Fwww.instagram.com\u002Fartbysteffloo\u002F","https:\u002F\u002Fwww.saatchiart.com\u002Fsteffloo",[355,358,361],{"fr":356,"en":357},"peinture acrylique","acrylic painting",{"fr":359,"en":360},"médium sable","sand medium",{"fr":281,"en":282},{},[364,365],{"fr":116,"en":117},{"fr":366,"en":367},"art abstrait","abstract art","Stéphanie Loo-Ng",{"id":370,"title":371,"body":372,"description":14,"extension":18,"meta":378,"navigation":20,"ogImage":21,"path":379,"robots":21,"schemaOrg":21,"seo":380,"sitemap":381,"stem":382,"__hash__":383},"content_fr\u002Fartists\u002Fstephanie-loo-ng.md","Stephanie Loo Ng",{"type":7,"value":373,"toc":376},[374],[130,375],{"artist":64},{"title":14,"searchDepth":15,"depth":16,"links":377},[],{},"\u002Fartistes\u002Fstephanie-loo-ng",{"description":14},{"loc":379,"lastmod":25,"changefreq":138,"priority":139},"artists\u002Fstephanie-loo-ng","25F5pkDKsIpthX4qkSaPZWU76t0DquBTERFh29AfFCk","\u002Fmedias\u002Fartists\u002Fstephanie-loo-ng\u002Fstephanie-loo-ng-artist-portrait-jagal.jpg","datas\u002Fartists\u002Fstephanie-loo-ng",[387,388],{"fr":146,"en":147},{"fr":281,"en":282},{"city":390,"country":391},{"fr":157,"en":158},{"fr":82,"en":83,"code":84},"CTyPTWh_yAKnasGqfKpHPBDCC7RcMi4ZG_f2XSDbqfs",[],"\u002Fmedias\u002Fshows\u002Fquadrille-group-show\u002Fjagal-contemporary-quadrille-group-show.jpg",{"fr":396,"en":397},"\u003Ch3>Quadrille - Group Show\u003C\u002Fh3>\n\u003Cp>\n  Avec \u003Cstrong>\u003Ci>Quadrille\u003C\u002Fi>\u003C\u002Fstrong>, JAGAL Maison d'Art réunit quatre artistes aux univers singuliers :\n  \u003Ca href=\"\u002Fartistes\u002Fandreas-fischbach\">Andreas Fischbach\u003C\u002Fa>,\n  \u003Ca href=\"\u002Fartistes\u002Fharold-bouvard\">Harold Bouvard\u003C\u002Fa>,\n  \u003Ca href=\"\u002Fartistes\u002Fstephanie-loo-ng\">Stéphanie Loo-Ng\u003C\u002Fa> et\n  \u003Ca href=\"\u002Fartistes\u002Fhayan-kam-nakache\">Hayan Kam Nakache\u003C\u002Fa>.\n\u003C\u002Fp>\n\u003Cp>\n  Empruntant son nom à une figure construite autour de quatre présences, \u003Ci>Quadrille\u003C\u002Fi> évoque à la fois\n  le \u003Cstrong>mouvement\u003C\u002Fstrong>, l'\u003Cstrong>équilibre\u003C\u002Fstrong> et le \u003Cstrong>dialogue\u003C\u002Fstrong>. Quatre\n  artistes investissent ainsi un même lieu, chacun avec son langage, son rythme et sa sensibilité.\n\u003C\u002Fp>\n\u003Ch3>Quatre langages, un même lieu\u003C\u002Fh3>\n\u003Cp>\n  La peinture hyperréaliste d'Andreas Fischbach, où arts numériques et imaginaire collectif se\n  rencontrent, côtoie les sculptures en bois d'Harold Bouvard, ébéniste de formation qui transforme la\n  matière par des gestes radicaux. Les toiles texturées de Stéphanie Loo-Ng, entre structure et\n  intuition, font face aux peintures et dessins de Hayan Kam Nakache, nourris d'expressionnisme, de bande\n  dessinée et de graffiti.\n\u003C\u002Fp>\n\u003Cp>\n  Les œuvres se rencontrent, se répondent et parfois se confrontent, dessinant au fil de l'exposition une\n  \u003Cstrong>composition commune\u003C\u002Fstrong>. Quatre regards indépendants qui, le temps d'une exposition,\n  viennent structurer et réinventer l'espace.\n\u003C\u002Fp>\n","\u003Ch3>Quadrille - Group Show\u003C\u002Fh3>\n\u003Cp>\n  With \u003Cstrong>\u003Ci>Quadrille\u003C\u002Fi>\u003C\u002Fstrong>, JAGAL Maison d'Art brings together four artists with singular\n  worlds: \u003Ca href=\"\u002Fen\u002Fartists\u002Fandreas-fischbach\">Andreas Fischbach\u003C\u002Fa>,\n  \u003Ca href=\"\u002Fen\u002Fartists\u002Fharold-bouvard\">Harold Bouvard\u003C\u002Fa>,\n  \u003Ca href=\"\u002Fen\u002Fartists\u002Fstephanie-loo-ng\">Stéphanie Loo-Ng\u003C\u002Fa> and\n  \u003Ca href=\"\u002Fen\u002Fartists\u002Fhayan-kam-nakache\">Hayan Kam Nakache\u003C\u002Fa>.\n\u003C\u002Fp>\n\u003Cp>\n  Taking its name from a figure built around four presences, \u003Ci>Quadrille\u003C\u002Fi> evokes\n  \u003Cstrong>movement\u003C\u002Fstrong>, \u003Cstrong>balance\u003C\u002Fstrong> and \u003Cstrong>dialogue\u003C\u002Fstrong> all at once. Four artists\n  take over the same space, each with their own language, rhythm and sensibility.\n\u003C\u002Fp>\n\u003Ch3>Four Languages, One Space\u003C\u002Fh3>\n\u003Cp>\n  Andreas Fischbach's hyperrealist painting, where digital art and the collective imagination meet, sits\n  alongside the wooden sculptures of Harold Bouvard, a trained cabinetmaker who transforms matter through\n  radical gestures. Stéphanie Loo-Ng's textured canvases, between structure and intuition, face the\n  paintings and drawings of Hayan Kam Nakache, steeped in expressionism, comics and graffiti.\n\u003C\u002Fp>\n\u003Cp>\n  The works meet, respond to each other and sometimes clash, gradually drawing a\n  \u003Cstrong>shared composition\u003C\u002Fstrong> across the exhibition. Four independent perspectives that, for the\n  duration of an exhibition, come to structure and reinvent the space.\n\u003C\u002Fp>\n","2026-11-07",[400],{"id":401,"title":402,"address":60,"attendanceMode":405,"audience":21,"city":158,"description":406,"endTime":409,"eventType":410,"extension":93,"flyer":411,"flyerHeight":412,"flyerWidth":412,"isFree":413,"keywords":414,"location":427,"meta":428,"name":429,"ogImage":432,"page":438,"parentShow":21,"performers":455,"seoDescription":456,"show":12,"slug":446,"startTime":459,"status":460,"stem":461,"__hash__":462},"events\u002Fdatas\u002Fevents\u002Fvernissage-quadrille-group-show.yml",{"fr":403,"en":404},"Vernissage Quadrille | 1er octobre 2026 | JAGAL Genève","Opening Quadrille | October 1, 2026 | JAGAL Geneva","offline",{"fr":407,"en":408},"\u003Ch3>Vernissage en présence des artistes\u003C\u002Fh3>\n\u003Cp>\n  JAGAL Maison d'Art vous invite au vernissage de \u003Cstrong>\u003Ci>Quadrille\u003C\u002Fi>\u003C\u002Fstrong>, le\n  \u003Cstrong>jeudi 1er octobre 2026 dès 18h\u003C\u002Fstrong>, en présence des quatre artistes :\n  \u003Ca href=\"\u002Fartistes\u002Fandreas-fischbach\">Andreas Fischbach\u003C\u002Fa>,\n  \u003Ca href=\"\u002Fartistes\u002Fharold-bouvard\">Harold Bouvard\u003C\u002Fa>,\n  \u003Ca href=\"\u002Fartistes\u002Fstephanie-loo-ng\">Stéphanie Loo-Ng\u003C\u002Fa> et\n  \u003Ca href=\"\u002Fartistes\u002Fhayan-kam-nakache\">Hayan Kam Nakache\u003C\u002Fa>. L'exposition est ensuite à découvrir\n  jusqu'au 7 novembre 2026.\n\u003C\u002Fp>\n\u003Ch3>Quatre présences, une composition commune\u003C\u002Fh3>\n\u003Cp>\n  Empruntant son nom à une figure construite autour de quatre présences, \u003Ci>Quadrille\u003C\u002Fi> évoque à la fois\n  le \u003Cstrong>mouvement\u003C\u002Fstrong>, l'\u003Cstrong>équilibre\u003C\u002Fstrong> et le \u003Cstrong>dialogue\u003C\u002Fstrong>. Quatre\n  artistes investissent un même lieu, chacun avec son langage, son rythme et sa sensibilité. Les œuvres\n  se rencontrent, se répondent et parfois se confrontent, dessinant au fil de l'exposition une composition\n  commune.\n\u003C\u002Fp>\n","\u003Ch3>Opening in the Presence of the Artists\u003C\u002Fh3>\n\u003Cp>\n  JAGAL Maison d'Art invites you to the opening of \u003Cstrong>\u003Ci>Quadrille\u003C\u002Fi>\u003C\u002Fstrong> on\n  \u003Cstrong>Thursday October 1, 2026 from 6 p.m.\u003C\u002Fstrong>, in the presence of the four artists:\n  \u003Ca href=\"\u002Fen\u002Fartists\u002Fandreas-fischbach\">Andreas Fischbach\u003C\u002Fa>,\n  \u003Ca href=\"\u002Fen\u002Fartists\u002Fharold-bouvard\">Harold Bouvard\u003C\u002Fa>,\n  \u003Ca href=\"\u002Fen\u002Fartists\u002Fstephanie-loo-ng\">Stéphanie Loo-Ng\u003C\u002Fa> and\n  \u003Ca href=\"\u002Fen\u002Fartists\u002Fhayan-kam-nakache\">Hayan Kam Nakache\u003C\u002Fa>. The exhibition then runs until\n  November 7, 2026.\n\u003C\u002Fp>\n\u003Ch3>Four Presences, One Shared Composition\u003C\u002Fh3>\n\u003Cp>\n  Taking its name from a figure built around four presences, \u003Ci>Quadrille\u003C\u002Fi> evokes\n  \u003Cstrong>movement\u003C\u002Fstrong>, \u003Cstrong>balance\u003C\u002Fstrong> and \u003Cstrong>dialogue\u003C\u002Fstrong> all at once. Four artists\n  take over the same space, each with their own language, rhythm and sensibility. The works meet, respond\n  to each other and sometimes clash, gradually drawing a shared composition across the exhibition.\n\u003C\u002Fp>\n","2026-10-01T22:00:00+02:00","SocialEvent","\u002Fmedias\u002Fshows\u002Fquadrille-group-show\u002Fjagal-contemporary-quadrille-group-show-vernissage-flyer.jpg",1254,true,{"fr":415,"en":422},[416,417,418,124,211,368,297,116,419,420,421],"vernissage genève","exposition collective","Quadrille","galerie Chêne-Bougeries","vernissage gratuit","JAGAL",[423,424,418,124,211,368,297,117,425,426,421],"opening geneva","group exhibition","Chêne-Bougeries gallery","free opening","JAGAL - Maison d'Art",{},{"fr":430,"en":431},"Vernissage de l'exposition collective Quadrille","Quadrille group show opening",{"url":411,"width":433,"height":434,"alt":435},1200,630,{"fr":436,"en":437},"Flyer du vernissage de l'exposition collective Quadrille à JAGAL Genève","Flyer for the opening of the Quadrille group show at JAGAL Geneva",{"id":439,"title":440,"body":441,"description":14,"extension":18,"meta":449,"navigation":20,"ogImage":21,"path":450,"robots":21,"schemaOrg":21,"seo":451,"sitemap":452,"stem":453,"__hash__":454},"content_fr\u002Fevents\u002Fvernissage-quadrille-group-show.md","Vernissage Quadrille Group Show",{"type":7,"value":442,"toc":447},[443],[444,445],"event-page",{"event":446},"vernissage-quadrille-group-show",{"title":14,"searchDepth":15,"depth":16,"links":448},[],{},"\u002Fevenements\u002Fvernissage-quadrille-group-show",{"description":14},{"loc":450,"lastmod":25,"changefreq":26,"priority":27},"events\u002Fvernissage-quadrille-group-show","O-etpU9JgVXhoegKDDWCdOON37NBFYijKTJ7Uoav2qE",[62,63,64,65],{"fr":457,"en":458},"Vernissage de l'exposition collective Quadrille le jeudi 1er octobre 2026 dès 18h à JAGAL Maison d'Art, Chêne-Bougeries Genève. Entrée libre.","Opening of the Quadrille group show on Thursday October 1, 2026 from 6 p.m. at JAGAL Maison d'Art, Chêne-Bougeries Geneva. Free entry.","2026-10-01T18:00:00+02:00","scheduled","datas\u002Fevents\u002Fvernissage-quadrille-group-show","GMV7kKI1P4mpIKiPHz0jLiAxOgU6QQBFn-Z3JFPec-I",{"fr":464,"en":469},[417,116,465,124,211,368,297,466,467,468],"galerie genève","peinture contemporaine","sculpture sur bois","dialogue artistique",[424,117,470,124,211,368,297,471,472,473],"geneva gallery","contemporary painting","wood sculpture","artistic dialogue",{},{"url":394,"width":433,"height":434,"alt":476},{"fr":477,"en":478},"Exposition collective Quadrille - Art contemporain - JAGAL Genève 2026","Quadrille group show - Contemporary Art - JAGAL Geneva 2026",{"id":4,"title":5,"body":480,"description":14,"extension":18,"meta":486,"navigation":20,"ogImage":21,"path":22,"robots":21,"schemaOrg":21,"seo":487,"sitemap":488,"stem":28,"__hash__":29},{"type":7,"value":481,"toc":484},[482],[10,483],{"show":12},{"title":14,"searchDepth":15,"depth":16,"links":485},[],{},{"description":14},{"loc":22,"lastmod":25,"changefreq":26,"priority":27},{"fr":490,"en":491},"Exposition collective Quadrille avec Andreas Fischbach, Harold Bouvard, Stéphanie Loo-Ng et Hayan Kam Nakache, du 1er oct. au 7 nov. 2026.","Quadrille group show with Andreas Fischbach, Harold Bouvard, Stéphanie Loo-Ng and Hayan Kam Nakache, from Oct. 1 to Nov. 7, 2026.","group show","2026-10-01","datas\u002Fshows\u002Fquadrille-group-show","g1j34LuSEZ9XMgODCqEN_r_AYZyProaub8g6NdtYP6g",1790164185167]